Swedish label Push My Buttons brings us the full length debut of this swiss group, which also presents their strongest set of tunes so far and their sonic vision at its most realized. That means: a deviously catchy dopamine rush of glitzy wave-ish synth- and garage punk smashers - exquisite sugary goodness echoing the likes of Wristwatch, Digital Leather, Sex Mex, Teledrome, Powerplant, The Gobs, Shrinkwrap Killers, Stalins Of Sound and Videodrome.
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This Oshkosh, Wisconsin group is cooking up a variety of inventive and adaptive anochronisms roughly in the realms post punk and postcore, garage punk and classic '90s indie rock, coming off as refreshingly out-of-place and -touch in today's landscape. Some '90s Dischord-meets-Touch and Go feel is going on in tracks such as Phthalate Mates and the groovy psychedelic closing epos Clumsy Ascetic. A hint of Protomartyr in Locks Fasten, psychedelic flourishes in The Delivery and hints of Swervedriver in songs like Radio Static. Further, at different points, you might be reminded of recent post punk/-core acts like Batpiss, Stuck and Bench Press, groups on the intersection of garage- and post punk like Tyvek, Parquet Courts or Flat Worms in addition to groups on the more melodic and jangly edges of post- and art punk á la Gotobeds, Sleepies, Tape/Off and Shark Toys.
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Feel It Records (along with Urticaria Records and Future Shock Recordings who are releasing this thing on cassette) brings us yet another strong post punk record with this Cincinnati group's debut LP which, while mostly treading on fairly familiar ground for longtime observers of this space, has also plenty of variety and the well-crafted songs to make it stick. An absolute no-brainer for fans of VHS, Criminal Code, Pyrex, Rank/Xerox, Schedule 1, Sievehead or Marbled Eye.
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A good four years after an insanely enjoyable debut LP of this Berlin group, we finally get another taste of the same, fairly quirky yet expertly propelled synth-, garage- and post punk goodness sure to delight admirers of stuff in the vein of, say, Belly Jelly, Puff, Dummy, Ausmuteants, Quitter, Liquid Lunch, Ghoulies, Diode or Spotting.
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Stunning shit as is usually the case with anything featuring Josh Feigert of Atlanta groups such as Uniform, Wymyns Prysyn and, most recently, Glittering Insects. Once again, this record is drenched in that same unmistakable trademark melancholia spread out onto an epic widescreen canvas, which is also at the core of the aforementioned groups. A familiar vibe for sure but there's plenty of room for surprises and unexpected flourishes here as well, like some uncharacteristic flashes of melodicism in songs such as Skyless Bells and Earthtone.
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Five minutes of delightful noises and structured chaos crammed into dense little tunes by an israeli group. Equally punishing, quirky and eclectic shit right in the sweet spot overlapping post punk, noise rock and garage punk - a freewheeling anything-goes spirit reminding me of a bunch of groups such as Big Bopper, Brandy, Patti, Reality Group or Cutie.
A brilliant new release brought to us by Gimmie Records, the record label extension of the fabulous Gimme Gimmie Gimmie blog-/zine empire. Piss Shivers are a Brisbane duo whose debut LP kicks up a highly flammable fuss located vaguely inside the Garage-, Post Punk and Postcore coordinates, sometimes reminding me of a Crisis Man-meet-Hot Snakes hybrid while at other points you might be reminded of early Teenanger, the pitch-black postcore dystopias of Video, VHS or the furious anger of Wymyns Prysyn. Further i'm recalling the likes of Xetas, Gaffer, Ascot Stabber and Batpiss… maybe a bit of Zhoop/Djinn/Feed energy aswell in the more primitive, straightforward moments.
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This Cincinnati group's second EP sets off a strong new set of highly flammable charges made up of ingredients found somewhere in the grey areas of Noise Rock, Post-, Garage- and Synth Punk… a bit like an unstable mixture of Busted Head Racket, Brandy, R.Clown, ISS, Spyroids and Knowso boiled down to an almost '70s/'80s The Fall-esqe simplicity and repetition.
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Garage punk meets math rock meets psychedelia meets postcore on this breathless new tape by Minneapolis group Tricks, at different times bearing similarities to recent groups as diverse as Reality Group, Uranium Club, Yammerer, Big Bopper, Patti, Ex-Cult, Rolex, Shark Toys, Sauna Youth… at times you might even percieve a slight 90s Dischord vibe á la Jawbox, Faraquet and Medications.
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I gotta say, following up on a promising but still somewhat undercooked and inconsistent debut tape from two years ago, i'm kinda blown away by the hypnotic pull of this second album by an Oakland (?) group having among their ranks members of a whole bunch of household numbers - The World, Andy Human and the Reptoids, Rays and Violent Change might just be the most familiar names among those for longtime watchers of this space, but these are just the tip of the iceberg really. While you can plausibly pick out some similarities to all these groups, i'm way more reminded of the relaxed post- and garage punk of australian groups UV Race and Wireheads, enhanced with some flavor of british psychedelia (Vital Idles come to mind as a contemporary reference), even a smidge of Wire and early Barrett-era Pink Floyd in Let The Light In. Just as well though, they might have drawn plenty of inspiration from '70s-'80s british DIY culture with groups á la Membranes, Swell Maps, Mekons and Desperate Bicycles being the closest comparisons i can pull out of my ass right now.
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