Sunday, November 10, 2019 | Records | Fuzz Punk, Garage Punk, Post Punk, Surf Punk
A somewhat quirky animal, this debut album by Minneapolis' Basement Boys. Starts out by radiating a kind of post punk vibe similar to Plax or The Cowboy, then increasingly skews toward garage punk, augumented by a small dose of noise and some beach goth melancholy, at times reminding me of stuff like Co Sonn, Ex-Cult, Shark Toys or early Wavves.
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Saturday, November 9, 2019 | Records | Noise Rock, Noisecore, Post Punk, Postcore
On their debut LP, Barcelona's Sandré deliver a roundhouse kick of unerring precision, a sound located somewhere on the fringes of post punk, post- and noisecore; always keeping the delicate balance between a raw, immediate impact and self-confident ambition. Speculating about possible influences, i'm thinking of a wide array of bands like Downtown Boys, early Die! Die! Die!, Les Savy Fav - but i'm also feeling a very distinct vibe akin to other spanish acts of recent years, especially the likes of Juventud Juché, Betunizer and Cubano Vale.
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Sunday, November 3, 2019 | Records | Electro Punk, Garage Punk, Noise Rock, Post Punk
Boston electro punk duo Rita Repulsa enter the scene with their first EP, whose largely sample-driven contents roughly resemble the charme of an extra brain damaged version of North Carolina's ISS, supplemented with a subtle dose of noise rock and a lyrical fixation on… Mighty Morphin Power Rangers?!? Works for me.
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Monday, October 28, 2019 | Records | Noise Rock, Post Punk, Synth Punk
For the austin noise rockers with that distinctive no wave edge, the past three years were marked exclusively by several collaboration projects, resulting in one album, another EP and two 7"s, all of it first rate stuff. Now we get a new "regular" album, although the recordings already date back to the year 2016. Accordingly, these songs sound more like the logical evolution from their last LP Feel The Clamps, released that same year. As always with this band, there's no rush to reinvent themselves. Instead, their sound is evolving gradually and diligent, revealing only a few new facets at a time. Most notable this time is a more minimalist approach to their compositions as well as the increasing use of drum machines and synths. And as always, the results are quite thrilling.
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Monday, October 14, 2019 | Records | Garage Punk, Post Punk
Portland's Nick Normal already made a most welcome splash in the form of a handful of rather Lo-Fi sounding EPs in recent past. Not only has the dude now found a perfect home in between all the other whacky motherfuckers releasing their stuff via Discontinuous Innovation Inc, but we also get to hear his music for the first time in a sonic presentation that takes at least some advantage of the audible range. Otherwise it's business as usual, which in this case means a shitload of off-kilter fun halfway between post- and garage punk. Add to that a hint of new wave and you might be reminded of Andy Human or Erik Nervous, also you might draw some parallels to Ausmuteants or Useless Eaters.
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