Following their 2018 album Hunk, which somehow didn't really click with me, the Reno, Nevada group's newest EP manages to hit all the right spots this time while never repeating itself, covering a sonic range spanning from oldschool AmRep- and Touch & Go-style noise rock, hardcore punk reminiscent of early Die Kreuzen and in its closing track, some Drive Like Jehu-esque Postcore.
Some weird-ass shit, this archival release containing the complete recordings, made in or around 2016, of a short-lived Brisbane group… and of course it doesn't take a fucking genius to figure out this is yet another project revolving around eccentric avant-garde guitar torturer Glen Schenau of Kitchen's floor, plus two other dudes who played in Sydney 2000 and Piss Pain respectively. It might be their involvement rendering this stuff almost approachable for a Schenau-related artifact, although by approachable i mean: No more approachable than, say, early The Fall or Membranes records are approachable. If that sounds approachable to you, then this will too!
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A Cleveland, Ohio group presents a rough and dissonant mix of noise rock and post punk with a sharp garage edge on their first EP which, in the current music landscape, positions them roughly inbetween such Groups as The Cowboy, Spray Paint, Flat Worms and Plax, at times supplemented with a certain Flipper vibe.
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Phew… this thing must've been mixed/mastered by a deaf person. I'm pretty much used to all kinds of sonic extremes by now but this must be the first time ever that i can't bear listening to a thing without at least applying some heavy EQ. Maybe the actual cassette release is less painful to listen to though…
Otherwise this thing kicks butt with unerring precision. Don't know how i managed to overlook this so far but somehow stupid me needed another reminder in the form of a (digital only?) reissue on Goodbye Boozy to finally notice its qualities. These texans play some pretty wild and unpredictable amalgamation of post- and garage punk, noise rock and postcore which you might, at different points, compare to groups like Patti, Cutie, Rolex, Mystic Inane or Brandy.
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Another kickass EP by this Philadelphia group. This time they crank up the garage factor considerably while maintaining their taste for oldschool proto-noise rock and -sludge. Think of a curious mix between NY's Cutie and aussie garage groups like Mini Skirt, Pist Idiots on a collision course with old-timey noisemakers of the U-Men, Scientists, X (Sydney, not L.A.) variety plus a slight touch of Mudhoney.
Pretty awesome noisecore shit is flushing out the ear canals on this debut EP by a group with members strewn all across Berlin, Leipzig and Bonn. This certainly has some touches of Acrylics, Vulture Shit, Soupcans and Stinkhole… or maybe of an alternate universe incarnation of No Trend, Flipper and Broken Talent played at triple speed.
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Chunklet Industries is killing it again with this debut 7" by a noise rock/post punk supergroup, kind of an unholy trinity made up of members of Wilful Boys, Spray Paint and Brandy whose sound incorporates familiar elements of all three aforementioned groups yet eschews predictability - with the A-Side giving off that distinct Spray Paint vibe and the other track veering a bit stronger towards the other two bands' sonic hallmarks. To make things even better, we're also promised a full length sometime this fall!
On their latest EP this Dunedin, New Zeeland power duo unleashes a bloody hell of noise rock with a vagely industrial feel to it, but also of the somewhat sludgy variety that always takes a lot of refinement to not bore me to death. Yet these guys effortlessly pull that thing off, reminding me - among other things - of groups like Haunted Horses or Wax Chattels.
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Business as usual on the newest 7" by L.A.'s Flat Worms. Delightful, high quality business that is, with these two songs nailing their very own formula incorporating elements of garage punk, post punk and bursts of noise just dead on. So far, Flat Worms never failed to deliver the goods.
An abrasive yet quite melodic wall-of-sound piles up on this Aarhus group's debut album, a sound inbetween the worlds of noise pop, art- and post punk, equally reminiscent of Teksti TV 666 and Open Your Heart-era The Men, 80's SonicYouth-isms and some MX-80 edge. And as if all that weren't compelling enough on its own, the addition of a restless brass section makes the whole thing outright irresistible.
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