Whippets – No Skulls

Whippets are a Madison, Wisconsin group featuring Bobby Hussy and Typer Spatz known from both Wristwatch and The Hussy among other things. Now while i'm all over that last Wristwatch LP i've always had a harder time warming up to much of the previous Whippets output with especially their 2024 debut LP just treading too heavily on a too well-trodden post grunge path for my taste. This new one i get a lot more out of, even though there are still some isolated instances of undercooked song construction like in Dream Of Two, where the dudes just rely too heavy on a nothingness of two not particularly thrilling, pretty basic musical phrases. There are way more hits than misses on this record though, which kinda strikes me as sort of a Wristwatch offshoot steering that band's garage punk leanings closer towards a more ambitious mid-90s to early 2000s indie- and alt rock aesthetic that just happens to test my '90s kid patience when it sometimes just feels a bit too heavy-handed in its mid-tempo earnestness or the song substance just ain't quite up to snuff to make that shit stick. This is by no means a flawless record but whenever it actually achieves liftoff, it soars to impressive heights.

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Big Bite – Trinity

Last year's long playing debut by Seattle group Big Bite already struck me as an anomaly of the most welcome kind. Now their sophomore effort comes across as no less brilliant - once again breathing new life into a particular 90s niche, oscillating somewhere between straightforward, no-fuss but high-thrust indie- and alternative rock plus a bit of shoegaze. Think Sugar, Polvo or Swervedriver when it comes to bands of the aforementioned era, or of more recent acts like early Ovlov, Pardoner, Milked or Dead Soft. Psychedelic moments are given a bit more emphasis here than on their first, while in the album's final stretch you can sense a subtle post punk vibe of the Teenanger or Constant Mongrel variety.

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