On their newest, heavily pandemic-delayed LP, Budapest's Padkarosda don't tweak their existing formula too much which is just fine - no need to fix what isn't broken and that one thing they do, they still excell at: crafting moody oldschool post punk soundscapes with that raw, pitch black all-consuming death rock vibe.
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Fun DIY punk shit by some dude based in Marmora, New Jersey, oscillating between the poles of electrically driven garage- /synth punk and bizarro post punk with some quirky, over-the top goth stylings. Think of a mix between S.B.F., Set-Top Box, Stalins of Sound or early Kid Chrome… fans of The Spits or Isotope Soap shouldn't miss out on this as well.
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Power pop aficinados might already be familiar with Owen Williams as the singer of The Tubs, who stood out earlier this year with their excellent Names 7". Cotton Crown is the name of his solo recording project whose debut cassingle inhabits much of the same awesomeness but enriches its two oldschool pop tunes with more of a goth and new wave aesthetic adding just the right amount of low-level cheesyness to elevate, rather than water down the material.
Shit Giver's 2017 debut album left quite an impression on me with its ambitious and versatile vision of post punk, bursting with excentric ideas and unpredictable song structures. The L.A. group's first new music in almost three years doesn't fail to amaze and surprise once again. It's their melodic songwriting abilities that come into sharp focus here, taking shape as an irresistible mix of post punk, power- and goth pop, developing a catchyness i wasn't prepared for. Meaningless ignites some unexpectedly straightforward pop fireworks, complete with a borderline-cheesy sax solo, the kind of which a lesser song wouldn't survive, but in this case i can't help but percieve it as a well-deserved climax. Transition seamlessly continues their newfound love for gloomy pop, but also proves that Shit Giver haven't lost their taste for elaborate structures, either.
Once again Barcelona's scene is killing it! Plataforma manage to do just that thanks to a beautifully rough, DIY-as-fuck sound in the realm of dark-/post punk with a healthy dose of goth/death rock doom & gloom. Crisis come to mind as well as the early 2010's Kopenhagen scene - think Lower and early Iceage - and some more recent stuff like britain's Disjoy.
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