A bit of a paradox, this record by a Berlin group which, on one hand, feels probably the most quintessentially Berlin-like of anything i’ve heard this year, yet eludes any straight comparison i could draw to any more-or-less contemporary group of that scene. The best of which that i could come up with are Hyäne, who put out two incredible singles and an equally good LP between 2016-2018, although this shit here feels even more rough, oldschool and primitive, rooted in more of an ’80s punk and hardcore background. All of that notwithstanding, i’d also say that fans of groups such as Die Verlierer, Kalte Hand, Maske, Pigeon and Gesture just might get a kick out of this, as there’s undeniably at least some sort of a common thread running through all of that stuff.
*edit* In the time-honored tradition of me writing ill-informed stupid fucking shit, it turns out this group ain’t from Berlin at all (only their label is) but not too far from my own doorstep instead, somewhere in the wider Ruhr area. No wonder they’re this pissed then. Thrilling shit. How am i gonna fuck up next? Stay tuned!
The 2020 debut EP of this spanish-singing swedish group still fit in (maybe a bit too) well with what i’d probably have described as your typical hardcore- and death rock-adjacent “dark punk” fare in the prior decade, though the 2021 split tape with Iceland’s genre mainstay Dauðyflin showed some steady progress already. Now, with their newest mini-LP, i’m gonna say they’re finally reaching peak performance and beginning to transcend their kinda restrictive genre surroundings with a bunch of new tunes that – though not actually inventing anything new here – tweak the genre’s basic nuts and bolts to absolute perfection in a breathless succession of immaculately built bursts of death and despair that keep things thrilling and interesting from start to finish, a quality that sadly has become a bit of a rarity in that particular niche.
Following last year’s somewhat more refined full-length debut, the second LP by Atlanta dark-/post punk group Nag feels more like a throwback to their earlier EPs – and i mean that in all the best ways. These songs are raw as fuck, the arrangements almost as sparse as you can possibly stretch the genre before it’s gonna collapse. Why write a goddamn novel when all you need to get across is a single but rather desperate sentence?
Night Miasma are a group from Chemnitz, Germany featuring members of L’appel Du Vide, whith whom you’re probably familiar already if you’re into that kind of thing. Their debut EP doesn’t stray too far from that stylistically, delivering a flavor of dark punk / deathrock-infused post punk that doesn’t add anything new to the genre but gets all the basics right in these four soundly constructed songs.
Once again Barcelona’s scene is killing it! Plataforma manage to do just that thanks to a beautifully rough, DIY-as-fuck sound in the realm of dark-/post punk with a healthy dose of goth/death rock doom & gloom. Crisis come to mind as well as the early 2010’s Kopenhagen scene – think Lower and early Iceage – and some more recent stuff like britain’s Disjoy.
