This Melbourne group's debut 7" is a concentrated blast of highly flammable garagecore spiked with additional noise- & postcore accelerants, achieving a resolute punch akin to ADVLTS, Bad Breeding while their unruly garage & oldschool hardcore riot leaves a trail of destruction not unlike Fried E/M, Electric Chair or Modern Needs.
Now that's™ some potent shit coming out of poland, presumably. Equal parts hardcore- and garage punk, efficiently propelled forward by an ultra-simplistic drumming style giving the whole thing an almost cowpunk vibe, but also leaving plenty of room for the noise-laden sonic textures by the string torturing division to spread out - kinda like you might have heard in the past from Bands like Leche, Murderer, Yambag, Lux… maybe even a bit of Wymyns Prysyn hidden in there.
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From the same boutique New York noise manufacture that has brought us, among other things, the vigorous and smart hard-/postcore of Kaleidoscope, we're given another force of nature to deal with. The debut album by Tower 7 sure bears some resemblance to the aforementioned Kaleidoscope but, by also taking more than just a few cues from ancient UK crust tradition, manages to deliver a bunch of blows even more relentless. Their tools of choice are obviously a bit more blunt, though equally effective.
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A flawless debut EP by a Philadelphia Duo, delivering four precision blows of a quite smart and versatile mixture located somewhere in the contemporary postcore-/noise rock-/post punk neighborhood and reminiscent of such diverse acts as Dasher, Cutie, Donors, Little Ugly Girls, Hit Bargain, Street Eaters, Xetas.
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Already a handful of releases into their discography, we kinda know what to expect from a new Flat Worms record by now. However, that doesn't mean they're standing still exactly. Rather, with every new release they managed to focus on and expand upon a certain facet of their garage-, psychedelic- and fuzz punk sound, keeping things fresh and interesting at all times. This time, recording with Steve Albini at Electrical Audio, the result does not only show Albini's trademark sonic characteristics, but also their overall sound seems to embrace some of his legacy as a producer audio engineer, veering into a distinctly noise rock/postcore direction that, once again, was always subtly present on their previous records but never as much on display as here and might be compared to contemporary bands like Meat Wave, Metz or USA Nails. Other small but pleasant surprises come in the form of the title track - a garage jam you could almost describe as relaxed - as well as the 90s indie rock vibes in Market Forces.
It took a while for new material of these Minneapolis punks to surface after their first two incredible 7"s. I'm glad to say though, that their unique mix of chaotic hard-/garage-/post-/weirdcore lost none of its spark and their refreshing disregard for common genre tropes and conventions is on full display here, making for another five glorious minutes of noise, just as i've come to expect from this group.
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Sad to hear that not long after their genre-defying/destroying/fucking/deconstructing/exploding album of last year, this EP is already the swan song of North Carolina's hottest address in contemporary hardcore. So take this last chance to marvel at Das Drip's ambitious hardcore/postcore/artcore/weirdcore… certainly never boringcore.
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The debut album by Chicago group Stuck is pretty much everything you could hope for and a massive leap in sophistication over their already rock solid debut EP. Just like back then, Stuck still have no intention of reinventing the postcore wheel, but instead exhibit a thorough understanding of their genre's ins and outs and the skillful usage of its grammar and vocabulary to quite thrilling effect. While there's undeniably some influence of their hometown scene of yesteryear - as well as the obligatory traces of 90s Washington - their sound mostly reminds me of current acts such as USA Nails and even more of the recent wave of australian bands like Batpiss, Bench Press and Noughts.
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Their third LP - once again released via the tastefully named label 12XU Records (which i'm totally not involved with, i promise!) - presents Austin punks Xetas' sound in its most mature incarnation yet, most noticeable in terms of its more confident, varied and always rock solid songcraft. Still riding the fine line between straightforward punk rock and energetic post punk/-core, with the needle pointing a bit more in the latter direction this time, you might describe this shit as a curious mix between Red Dons, Video, Meat Wave and Daylight Robbery. In other words: Quality Stuff!
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On their second EP, New York punks Signal brew up a strong potion consisting of raw noise-/fuzz punk and post punk/-core. To me it sounds a bit like an amalgamation of earlier Lié and Littly Ugly girls, but also contains quite some of the rough, garagey vibes similar to Warp or Vexxx.
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