Public Interest - Spiritual Pollution

An­oth­er re­lease bear­ing the Er­ste Theke seal of qual­i­ty and in­deed this one's a huge step ahead for the Oak­land group af­ter a more garage- and synth punk-lean­ing de­but tape in 2019. Now they've trans­formed in­to a way more so­phis­ti­cat­ed post punk sound that comes across as moody yet con­spic­u­ous­ly song-ori­ent­ed and catchy all the same, a qual­i­ty you might have al­so no­ticed in the most re­cent ma­te­r­i­al by Mar­bled Eye, whose member(s) are al­so lend­ing a hand in this new kick­ass record. Im­bued with a psy­che­del­ic haze that re­minds me a bit of Chairs Miss­ing /​ 154-era Wire at times, you might just as well com­pare their elab­o­rate song con­structs to a di­verse clus­ter of such con­tem­po­rary genre cor­ner­stones as In­sti­tute, Rank/​Xerox, Pub­lic Eye, Diät, VR Sex, Bruised, Waste Man or ear­ly Paint Thin­ner.

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Flat Worms - Antarctica

Al­ready a hand­ful of re­leas­es in­to their discog­ra­phy, we kin­da know what to ex­pect from a new Flat Worms record by now. How­ev­er, that doesn't mean they're stand­ing still ex­act­ly. Rather, with every new re­lease they man­aged to fo­cus on and ex­pand up­on a cer­tain facet of their garage-, psy­che­del­ic- and fuzz punk sound, keep­ing things fresh and in­ter­est­ing at all times. This time, record­ing with Steve Al­bi­ni at Elec­tri­cal Au­dio, the re­sult does not on­ly show Albini's trade­mark son­ic char­ac­ter­is­tics, but al­so their over­all sound seems to em­brace some of his lega­cy as a pro­duc­er au­dio en­gi­neer, veer­ing in­to a dis­tinct­ly noise rock/​postcore di­rec­tion that, once again, was al­ways sub­tly present on their pre­vi­ous records but nev­er as much on dis­play as here and might be com­pared to con­tem­po­rary bands like Meat Wave, Metz or USA Nails. Oth­er small but pleas­ant sur­pris­es come in the form of the ti­tle track - a garage jam you could al­most de­scribe as re­laxed - as well as the 90s in­die rock vibes in Mar­ket Forces.

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