Deck In The Pit - In A Lane

Some weird-ass shit, this archival re­lease con­tain­ing the com­plete record­ings, made in or around 2016, of a short-lived Bris­bane group… and of course it doesn't take a fuck­ing ge­nius to fig­ure out this is yet an­oth­er project re­volv­ing around ec­cen­tric avant-garde gui­tar tor­tur­er Glen Schenau of Kitchen's floor, plus two oth­er dudes who played in Syd­ney 2000 and Piss Pain re­spec­tive­ly. It might be their in­volve­ment ren­der­ing this stuff al­most ap­proach­able for a Schenau-re­lat­ed ar­ti­fact, al­though by ap­proach­able i mean: No more ap­proach­able than, say, ear­ly The Fall or Mem­branes records are ap­proach­able. If that sounds ap­proach­able to you, then this will too!

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Collate - Medicine /​ Genesis Fatigue

It took the Port­land, Ore­gon trio a few re­leas­es to get there, but their newest 7" is push­ing all the right but­tons for me with its no wave-in­fused as well as Gang Of Four-in­spired dance­able post punk, which in this par­tic­u­lar case re­minds me es­pe­cial­ly of Brighton group Aus­ter­i­ty.

Print Head - Happyhappy

Whoa, what a beau­ti­ful­ly crude piece of DIY lo-fi fuck­ery in the twi­light zones of slight­ly no-wave-ish post punk and garage rock, this dig­i­tal re­lease by some un­known Hicksville, NY en­ti­ty. Kin­da like an in­cred­i­bly weird in­car­na­tion of The Woolen Men in­ter­min­gling with Half Japan­ese and The UV Race. This is just gor­geous!

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Donors - Donors

Now this one's a cu­ri­ous beast. Nashville group Donors al­ready won my at­ten­tion two years ago with their first EP and a some­what more con­ven­tion­al mix of garage- and post punk, but this is a dif­fer­ent lev­el of weird­ness al­to­geth­er, as they in­fuse their sound with in­creas­ing amounts of dis­so­nant no wave hav­oc and pro­to noise rock á la Flip­per, No Trend. What in the world could i com­pare this stuff to? Tyvek or Con­stant Mon­grel reimag­ined as a no wave act? Spray Paint as a garage band? I'm not en­tire­ly sure what they ac­tu­al­ly set out to do but there's no doubt they're suc­ceed­ing with fly­ing col­ors. Just when you thought you made sense of the whole thing, the clos­ing track Fine Print man­ages to sur­prise once again by adding some Haunt­ed Hors­es-style in­dus­tri­al fla­vor to the mix.

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B.E.E.F. 39X - Man-Simulator 5

At first lis­ten, i can't help but think of the tex­an (neo) no wave/​chaotic noise rock con­nec­tion around bands like Flesh Narc, Gay Cum Dad­dies and a few oth­er projects shar­ing much of the same per­son­nel. How­ev­er, this band is from Philadel­phia, mak­ing any as­so­ci­a­tion with those rather un­like­ly. Al­so, on clos­er in­spec­tion, their sound and songs come across a lot more struc­tured, com­pared with the kin­da se­mi-im­pro­vised feel of the Den­ton scene's out­put. Sound­wise, this is some­what less in the no wave camp, lean­ing more in­to the noise rock side of things and now that i'm think­ing of it… I al­so see quite some sim­i­lar­i­ties to their ge­o­graph­i­cal­ly much clos­er New York con­tem­po­raries Spray Paint and Big Neck Po­lice, as well as a hint of cana­di­an noise punks Sop­cans.

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