This group's second cassette on Impotent Fetus or Down South Tapes or whatever it's called this week, considerably one-ups their previous one in terms of undiluted fury while carrying across all the traits we've come to expect from that label's output - rough and grimy as fuck yet unexpectedly catchy at the same time. A perfect storm of garage- and KBD-infested hardcore primitivism.
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A good four years after an insanely enjoyable debut LP of this Berlin group, we finally get another taste of the same, fairly quirky yet expertly propelled synth-, garage- and post punk goodness sure to delight admirers of stuff in the vein of, say, Belly Jelly, Puff, Dummy, Ausmuteants, Quitter, Liquid Lunch, Ghoulies, Diode or Spotting.
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You know what to expect by now! Satanic Togas never fail to amaze with their catchy, compact garage punk smashers. If Gee Tee is kind of the flower child among Ishka Edmeades numerous groups and projects, Satanic Togas kinda represent the sleazy and hard rocking counterbalance to that fluffy powerpop innocense, delivering a bottomless wealth of catchy hooks and tunes all the same.
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Five minutes of delightful noises and structured chaos crammed into dense little tunes by an israeli group. Equally punishing, quirky and eclectic shit right in the sweet spot overlapping post punk, noise rock and garage punk - a freewheeling anything-goes spirit reminding me of a bunch of groups such as Big Bopper, Brandy, Patti, Reality Group or Cutie.
This is indeed a tour i'm pretty psyched about already! This new split 7" on Goodbye Boozy Records presents the two Perth groups at their finest as Aborted Tortoise make your legs shake with their patented constructs of smartypants garage punk á la Uranium Club, Pinch Points, Dumb, Vintage Crop and the like. Ghoulies then follow up with two strong and catchy garage-/egg-/synth punk tunes roughly in the Research Reactor Corp, Cherry Cheeks, Set-Top Box, Alien Nosejob or Satanic Togas fashion.
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A brilliant new release brought to us by Gimmie Records, the record label extension of the fabulous Gimme Gimmie Gimmie blog-/zine empire. Piss Shivers are a Brisbane duo whose debut LP kicks up a highly flammable fuss located vaguely inside the Garage-, Post Punk and Postcore coordinates, sometimes reminding me of a Crisis Man-meet-Hot Snakes hybrid while at other points you might be reminded of early Teenanger, the pitch-black postcore dystopias of Video, VHS or the furious anger of Wymyns Prysyn. Further i'm recalling the likes of Xetas, Gaffer, Ascot Stabber and Batpiss… maybe a bit of Zhoop/Djinn/Feed energy aswell in the more primitive, straightforward moments.
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Australian label Painscale Records delivers its strongest entry so far in a series of split cassettes. Main attraction here is clearly the longer side comprising the debut batch of Melbourne group Noise Violations, who set ablaze an irresistible barrage of catchy hooks in a slightly egg-adjacent brand of garage punk with echoes of well-renowned genre powerhouses such as Satanic Togas, R.M.F.C., Ghoulies, Booji Boys, Metal Guru, Erik Nervous or Gee Tee, to name just a few.
The other side then contains the previously released 2022 EP by Granada, Spain group Sprgrs, which is well worth another listen for fans of danceable Lo-Fi punk stuff in the vein of, say, Prison Affair, Beer, Nuts, Pringue, Dee Bee Rich and Beta Maximo.
What a goddamn beauty! Paul Caporino of cult garage punk / power pop veteran project M.O.T.O. at long last has compiled a new set of beautifully fuzzy recordings in the well-worn 4-track solo fashion, kicking things off with a fuckin' Motörhead cover of all things and subsequently pulling off what must be his most high-value, hook-laden set of tunes in a long time, nothing short of a new lo-fi pop masterpiece if you ask me. Many songs have already appeard on one occasion or another but honestly, who cares really as this thing kinda plays out like an all-killer-no-filler best of from his recent decade-plus of creative output, presented in uniqe, unheard recordings.
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I hadn't heard from these Nashville folks for a long time after their promising demo in 2019. Well, they're back now and their sound's more furious than ever, brewing up a perfect storm of garage-infused hardcore punk with hints of, say, Acrylics, early Electric Chair, Launcher, Liquid Assets, Mystic Inane, Cement Shoes and Crisis Man being just a few of the things that pop into my head at first glance.
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Following up on a neat first EP from last year, this Providence, Rhode Island group's second batch of tunes is a marked refinement in pretty much every aspect, their mix of garage punk and power pop having reached a whole new level of catchyness that also wouldn't sound out of place next to shit like Sweet Reaper, Power Pants, Gee Tee, Alien Nosejob, Set-Top Box or Satanic Togas.
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