Their recent Skeleton/Runaway digital single was some quality shit already and a huge step up from previous releases. With their newest EP, the Austin, Texas group keeps the good stuff coming, clear highlights this time being the perfect power pop one-two punch The Amazing Super Ultra Spiderman & Shit Me Out but the rest is great fun too, coming across a bit like an amazing super ultra holy trinity of Ausmuteants, S.B.F. and Set-Top Box.
For his second 7" on Goodbye Boozy Records, Cal Donald aka Liquid Face increases both the energy- and distortion levels considerably, making his special sauce of garage-/synth-/post punk come across kinda like a weird crossbreed between Powerplant, Mononegatives and the noise punk of Brandy.
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This Melbourne group's tape delivers a whole bucketload of synth-enhanced garage punk delight hovering somewhere inbetween the reference points of Useless Eaters, Sauna Youth, Ausmuteants, Metdog… and also fairly close to the whole Warttman Inc.-affiliated clusterfuck.
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Last year's debut tape of this Portland group was a perfectly fun little thing already but this new shit is just so much stronger in pretty much every aspect, their presentation tighter and the songs more concise, simple yet perfectly balanced and 100% efficient in their amalgamation of garage-, synth- and post punk, radiating out some serious vibes á la Research Reactor Corp., Mononegatives, Ghoulies or Warm Exit.
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Garage-/synth-/electro punk from Cleveland, Ohio that carves out its own little place in the current landscape of similar groups by way of a certain psychedelic haze, kinda like a mix between The Spits, Silicon Heartbeat and Smirk, observed through some dense Chrome- or Metal Urbain-esque fog. Or you might describe it as some kind of garage punk incarnation of Murderer's hallucinogenic cowpunk nightmarescapes.
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Metdog's fourth extended play is yet another treasure trove of playful and easygoing garage punk… let's not talk about eggs again here. Admirers of R.M.F.C., Research Reactor Corp. or Satanic Togas will aprove of this, just as i'm gonna make an exception here and give my full approval for the use of auto-tune or vocoder or whatever that shit in the closing track is… fucking art, i guess.
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Um… what meaningful thing is there left to say about a new Alien Nosejob record at this point? They kinda come in two shapes: The grab bag style ones where Mr. Robertson branches out in every direction possible and the hyperfocussed monoculture ones where he doubles down on a single genre - like his hardcore 7"s for example or that synth pop/eurotrash 12" maxi a while ago. Well, this one's another grab bag record and apart from that, it's just the plain old usual awesomeness we've all come to expect from this dude who seems utterly unable to write a dull tune.
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The debut EP of this group from Utrecht, Netherlands is pure concentrated joy from start to finish, channeled into five properly demented synth-/garage punk jams wondrously able to bypass the intellect entirely only to make an even bigger splash with your primal instincts. Neat!
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Perfectly exhilerating shit, the first crumbs of noise we get from some group or project that might or might not be based in Los Angeles. The first two tracks deliver a flavor of electrically driven garage punk taking cues from acts like Mononegatives, Useless Eaters, Powerplant, RRC or Alien Nosejob while the closing track ups the weirdness considerably, going all-in on pure synth punk mayhem.
It only took them like… twelve years but finally the Munich duo has released their second 7" via Slovenly Recordings and it's an irresistable blast of garage- and electro punk with echoes of The Spits and Stalins Of Sound, plus an unlikely touch of Big Black in the highly combustible opening track Shut Your Face.
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