Montreal garage punks Priors follow up their rather playful recent NEWNEWNEW EP with yet another smasher of a mini-LP, often taking their sound into kinda unexpected territory in what is hands down their most versatile release so far. Right out of the gate you can sense a certain quirky vibe calling to mind the likes of Andy Human and the Reptoids, Nick Normal, Erik Nervous and the Beta Blockers while in other moments, you might find some echoes of, say, Vaguess, Proto Idiot, Freak Genes, early Teenanger, Mind Spiders or Sauna Youth… and let's not forget Sonic Avenues as another helpful reference, of whom at least two members are taking part here as well.
It's a new LP by the Detroit group and as you might already suspect, there's not a whole lot in the way of surprises here, which is totally fine for their particular local flavour of garage mayhem. As far as fairly traditional, heavily Stooges-/MC5-informed garage punk (and just maybe, a hint of Feedtime?) goes, it doesn't get much better in terms of raw, primal energy. This is the kind of record which convinces almost exclusively by virtue of brute force and boy do i feel saved now, which is to say: Ouch!
Lately it appears as if barely ever a couple of weeks go by without a new release by synth punk sensation Klint from Schleswig, Germany. No introductions necessary at this point i guess! Following the pretty rough split EP with Repulsion Switch, here we get another strong batch of tunes predominantly on the rather catchy, often viciously danceable end of the spectrum.
A spectacular split 7" via Slovenly Recordings! Italy's Destroy All Gondolas have been around for like a decade by now yet somehow they're completely new to me and their track here makes me think i've got some catching up to do. Gutara Kyo from Kobe, Japan have made a lasting impression with their 2017 EP - also out on Slovenly - and show no signs of slowing down with their new pair of tracks in that style which i can't describe other than just a very particular japanese brand of deliciously over-the-top garage insanity.
It took a couple years to materialize but here it finally is, the first LP by some dude of unclear whereabouts who previously sparked our curiosity with a kickass 7" also on Iron Lung Records in 2019. The full length debut is everything you could have hoped for in a new batch of kinda Devo-fied, whimsical, deliciously insane garage-/synth-/eggpunk malfunctions, spicing things up with a slight touch of Television guitar leads and solos added to an overall mixture whose rough parameters also kinda reflect a bunch of more recent phenomena vaguely in the Snooper, Useless Eaters, Alien Nosejob, Set-Top Box, Mononegatives or R.M.F.C. ballpark.
For some reason i had my doubts about this record beforehand (dunno… might have been down to the somewhat slick production? Intelligible lyrics, urgh!) but now listening to the whole thing, i gotta say it turns out to be pretty fucking awesome shit once again, even incrementally improving on the already impressive quality standard of the Chicago group's previous releases in a flawless batch of smart and elaborate postcore tunes, which at certain points might draw comparisons to groups like Batpiss, Meat Wave, Bench Press, Bloody Gears, earlier stuff by the likes of Tunic, Pile and USA Nails, angular post punk acts like Lithics, Pill or Marbled Eye as well as occasional flashes of, say… Jawbox, Smart Went Crazy, Q and not U and mid-'90s Fugazi. What more could i ask for, really?
Repeatedly the Berlin group featuring members of, among others, Useless Eaters, Idiota Civlizzatto, Exit Group und Clock Of Time delivers the goods of elaborately constructed, slightly deathrock-infused post punk grooves, with Clock Of Time being the most obvious comparison among the groups mentioned as these folks do indeed play some variant of what i can't help but classify as quite traditional Berlin school of the past decade-plus, scratching a similar itch to bands like Pigeon, Liiek, Diät, Pretty Hurts… Not that i'd consider that to be a bad thing at all. Quite the contrary - after all, "Berlin sound" wouldn't be a thing really if it hadn't been built up over the years to embody such a consistent legacy of impeccable quality releases.
Oakland's Shrinkwrap Killers, whose prior output always struck me as a bit one-note and hit-and-miss, easily deliver their strongest and most versatile set of new tunes so far on their second LP on Iron Lung Records. This is an eerily familiar mix of sounds and influences which i might describe as simple and accurate as a horror/sci-fi/dystopia themed mashup of Lost Sounds, Spits and Stalins of Sound. Well… for me, it works just fine!
A neat split release via Berlin's order05records. The opening track by Atlanta post punk institution Nag surprises with some synth-equipped psychedelic vibes á la Mononegatives or some later stuff by Useless Eaters, while detonating another charge of their rough and abrasive sound we've come to know and love in the other song. On the flipside then, Italy's Astio complement the sonic assault with a slightly more conventional but no less classy, mature make of moderately melodic oldschool post punk energy, the kind we've heard before from the likes of Criminal Code, Sievehead or, more recently, Pyrex, Body Maintenance or Schedule 1.
This Adelaide group has been around for well over a decade by now, yet it almost appears as if they've finally found their own groove just now on LP number four - or at the very least i can say, having taken a perfunctory glance over their previous records, that their newest one is playing in a different league altogether as everything here from the songwriting to the arrangements and production smoothly assembles into a way more realized vision while keeping things interesting with plenty of stylistic variety. I'm reminded of a whole bunch of other Australian groups in the garage-/post punk spectrum, among which are garage-/pub rock-leaning acts á la Mini Skirt, Hideous Sun Demon and Pist Idiots, post punk/-core acts like Batpiss, Bench Press or Rip Room aswell as some traces of classics from the likes of ('80s) Scientists and The New Crists.
