Bart And The Brats - Can't Think Straight

Can't Think Straight re­leas­es Feb­ru­ary 23rd via Ju­ve­nile Delin­quent Records.

Paulo Vicious - Paulo Vicious /​ Beer - Beer II

An­oth­er mys­te­ri­ous egg­punk bomb has dropped from… well, where in the world ac­tu­al­ly? Re­leased on a Tel Aviv la­bel, the song ti­tles, as google trans­late tells me, are ap­par­ent­ly por­tuguese. Then again, sound-wise, the clos­est ref­er­ence would prob­a­bly be the blown-out may­hem of Barcelona genre over­lords Prison Af­fair with fur­ther com­par­isons to be made to Cologne's Nuts, the ear­ly works of aus­tralian groups á la Set-Top Box, Eu­gh, Midgee, Re­search Re­ac­tor Corp and, to come full cir­cle even­tu­al­ly, Tel Aviv's own crude egg­punk sen­sa­tion Vic­tor would fit nice­ly in there too. So, long sto­ry short, this is some pre­mi­um grade glo­be­trot­ting shit, re­gard­less of where these folks might ac­tu­al­ly be lo­cat­ed.

Yet an­oth­er good ref­er­ence point, then again, would be Charleston, South Carolina's Beer and, speak­ing of the dev­il, the world's most beer­est beer band has just re­leased their sec­ond ex­tend­ed play to which most of what i've just said is gonna ap­ply ver­ba­tim so i'm not gonna re­peat my­self and in­stead just gonna crank up the good shit and ad­vise you to do the same 'cos i know your neigh­bors are just gonna love it!

Al­bum-Streams →

MKVulture - Terminal Freakout

A dense and noisy post punk spec­ta­cle un­folds on this Rich­mond, Vir­ginia group's de­but EP, its four elab­o­rate­ly con­struct­ed songs mak­ing a ful­ly ma­ture and con­fi­dent im­pres­sion al­ready. At times this has a cu­ri­ous vibe of, say, Straw Man Army plus a sub­tle trace of Poi­son Ruïn while in oth­er places this shit re­minds me a lot of some of the past decade's more melan­choly and song-ori­ent­ed post punk acts in the vein of ear­ly Es­tranged, Pub­lic Eye, Crim­i­nal Code, Bruised, VHS, Waste Man as well as At­lanta heavy­weights Wymyns Prysyn and Institute/Mothers's Milk.

Al­bum-Stream →

Metdog - Questions and Answers Regarding Computers and Screens

It's shap­ing up to be a pret­ty awe­some week for egg­punk al­ready, helped fur­ther along by an­oth­er genre fix­ture of the last cou­ple years, Melbourne's Met­dog, hav­ing just re­leased their full length de­but af­ter an im­pec­ca­ble string of EPs and sin­gles. They promised shit about com­put­ers and oh boy do we get shit about com­put­ers here, leav­ing more ques­tions than an­swers though, most of which be­gin with "What the fuck…?". Per­fect­ly un­der­scor­ing the sub­ject mat­ter we get to wit­ness the group at their most elec­tron­i­cal­ly in­clined so far, their over­all vibe here be­ing rem­i­nis­cent of a bizarre 8-bit mashup of vin­tage Aus­muteants with the dis­tinct added flour­ish of Win­dows 3.11 mi­di files.

Al­bum-Stream →

The Slads - Tough Times

Bril­liant, thrilling old­school ac­tion on this Philadel­phia group's de­but EP on which a hy­brid garage/​hardcore vibe á la Cut­ters gets fused with a dis­tinct Oi! ten­den­cy rem­i­nis­cent of The Chis­el, Chub­by And The Gang. Then again, there are some ocur­rences of Poi­son Ruïn-es­que riff­ing to be spot­ted as well and some­times the gui­tar leads op­er­ate in clas­sic Ra­dio Bird­man ter­ri­to­ry.

Al­bum-Stream →

Rude Television - I Want To Believe

Hav­ing first come to my at­ten­tion via a split tape with AJ Cortes and The Bur­glars, this group from West Palm Beach, Flori­da has on­ly got­ten stronger with every new re­lease and this one is no ex­cep­tion, de­liv­er­ing a new round of catchy, com­pact blasts in the some­what eggy realms of pow­er pop, synth- and garage punk evok­ing thor­ough­ly fa­vor­able com­par­isons to the likes of Gee Tee, Erik Ner­vous, Vaguess and Sa­tan­ic To­gas.

Al­bum-Stream →

Aus - Der Schöne Schein

Few groups have ex­em­pli­fied the Berlin post punk vibe boiled down to such a pure and defin­ing form as Aus, of whom we're get­ting the first new tunes in al­most four years on this new 7". On this one, the pre­vi­ous two records' rather purist, suf­fo­cat­ing bleak­ness gets opened up just a bit by way of a new­found sense of groove, a much need­ed pro­pel­lant and change of pace re­veal­ing a plau­si­ble way for­ward for a group that could, at times, feel a bit averse to change.

The Minneapolis Uranium Club Band - Small Grey Man

In­fants Un­der The Bulb re­leas­es March 1st via Sta­t­ic Shock Records & An­ti Fade Records.

VR Sex - Real Doll Time

Hard Copy re­leas­es March 22nd via Dais Records.

Chalk - The Gate

Con­di­tions II re­leas­es March 1st via Nice Swan Records.