Poo Poo Talks – Culo Rotto / Five Bucks – Metal Fumes Fever

Poo Poo Talks / Five Bucks Split LP releases April 20th via Wild Honey Records.

Yleiset Syyt – Saitte Mitä Halusitte

Saitte Mitä Halusitte releases May 1st via Sorry State Records.

S.U.G.A.R. – Volunteer

III releases May 16th via Alien Snatch! Records.

No Peeling – Stationery

EP2 releases May 1st via Wrong Speed Records.

Klonns – Parasite

G.A.M.E.S. releases May 1st via Iron Lung Records.

CS Cleaners – Come & Go

What's This? releases June 26th via Wharf Cat Records.

Raw Distractions – No! Racist

奇しく燃える releases May 1st via La Vida Es Un Mus Discos.

The Antics – The Antics

The early teaser tracks for the debut longplayer of this Melbourne group featuring members of Piss Wizard and Stray Dogs To Good Homes had already signaled kind of a drastic departure from the simple Wipers-infused garage punk of their previous EP and indeed this record is a different beast altogether, taking on more of a dusty, americana-tinged post punk vibe with echoes of eighties Scientists but also plenty of more recent stuff like the noisy post punk of Copenhagen's Lower and the early works of Iceage; Sklitakling and Pleaser from Sweden, americana- and cowpunk-influenced US groups like Weak Signal and Bambara, or Australia's own Optic Nerve and Refedex. A rich tapestry of plausible, well-established influences to draw from for sure but these folks absolutely make it their own with tons of resilient song substance providing the foundation to expand upon for their noisy eruptions, determined performances, a fully matching vehicle of haunting sonics for the frank, urgent lyrics and vocals of frontwoman Freya Tanks.

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Dead Finks – New Plastik Abyss

Is this really the fourth Dead Finks LP already? Time sure flies by man! In contrast to that, the output of the Berlin-based duo consisting of Erin Violet and Joseph Thomas (formerly of New Zeeland post punkers Trust Punks) has been reassuringly constant and worthy at all times, surely carrying over some of that old Trust Punks DNA but matching it up with a great deal of folk-ish strumming and melancholia, woven into an epic and colorful mosaic of widescreen drama, a moody atmosphere of unresolved conflict that more than once reminds me of the kinda iconic, singular vision of Brisbane indie-/noise rockers Kitchen's Floor.

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