Cold Comfort – Capital
Capital releases February 21st.
Capital releases February 21st.
Greedy & Gorgeous releases March 14th via Little Lunch Records.
Virage releases March 15th.
Chime Oblivion releases April 18th via Deathgod Records.
Under A Plastic Bag releases March 14th via Stomp Records.
Eau Rouge releases February 21st via Icy Cold Records & Rockerill Records.

This Sydney group has an embarrassment of riches in store for us that's being poured into a sonic guise of timeless elegance here - heavy duty power pop songwriting chops take on the shapes of Byrds-inspired, relaxed garage rock, british invasion- and first wave british psychedelia-fueled jangle pop anthems which often come across like a less sarcastic variant of The Soft Boys, a more retro-minded Guided By Voices or the more powerpop-ish corners of the Bevis Frond galaxy, though you may just as well compare them to more recent, mostly US-based groups like The Resonars, White Fence, Honey Radar, Good Flying Birds, Chronophage, Violent Change, Scupper, Germ House or Mo Troper, while in more indie rock-leaning tunes like Winston you can sense just a little hint of fellow australians Treehouse.
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The first half of this Austin, Texas group's newest LP succeeds mostly by way of sheer force and momentum in what admittedly ain't the most subtle or sophisticated thing you've ever heard, a kinda classic riff- and shred-heavy brute force approach to garage punk we've previously heard from acts like Jean Mignon, Sauna Youth, Hamer, D. Sablu, Clamm or Sweet Reaper. It's in the second half that this record really comes into its own though. Just right on time when the magic of rocket-fueled riffing starts to run into the realm of diminishing returns, they shake things up a quite bit and pull some of the album's biggest standouts out of their hats like the the hymnic, catchy melancholia of Slacker's Prom, the off-the-shelf-psychedelia-colliding-with-cowpunk explosion Beautiful Delilah, while the midtempo ballad What The Freaks Say offers something of a Vaguess vibe and the closing track Sympathy For Sunday shamelessly revels in drugged-out devil-worshipping acid rock excess.
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As usual of a high-caliber, this new Split 7" coming our way from Italy's Goodbye Boozy Records. Schleswig, Germany's Viking Synth Punk Maestro Klint goes full hardcore mode on his side, churning out three massive bursts of his trademark abrasive force, spiked with plenty of melodic catchyness all the same. The dude can do no wrong and there still ain't anything quite like his music out there. The other side is made up of four new tracks by Hamburg's The Gents who, compared with their previous EP, are playing it decidedly fast and rough here as well, making for a perfectly substantial attack of straightforward garage punk bearing some similarity to the likes of Bart and the Brats or The Uglies.
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Way more egg- than cowpunk, what this group from Poznań, Poland sets out to overwhelm our senses with. This shit is certainly among the more out-there offerings at the altar of playful insanity the genre has given us so far and it's a bottomless well of unpredictable fun that threatens to fall apart or go up in flames any moment but is so ridiculously satisfying while it lasts, reminding me of a colorful and markedly international bunch of acts such as early Skull Cult, Goblin Daycare, Paulo Vicious, Metdog, Beer, Cool Sorcery... and you can't leave out Barcelona's genre overlords Prison Affair of course.
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