False Tracks – Scattered Conversation

When Fortune Feeds releases December 5th via Strange Mono.

Dead Finks – Eden

False Figure – Original Sin

Incarnate releases February 17th via Cruel Subordination Records.

Vague Rituals – Closer

Vague Rituals releases December 5th via Solar/Sonar.

Verspannungskassette #102

You may already have noticed: I’m lagging way behind with my blogging once again, basically ‘cos my brain hasn’t been working quite properly the past couple weeks (i’m fine though and kinda used to that, no worries). So for now, i’ve prioritised that new mixtape ‘cos that’s one thing i can manage even on an average fuck my brain day, so you have a shitload of new tunes to kill some time with while i’m busy trying to get this blogging operation back on track over the next week. Anyway, there are worse things to listen to. Play it at whatever volume you like.

Tracklist

The Serfs The Work (Never Ends)
D.Sablu Mama’s Little Elvis
Leeches Bad Times On Earth
Sonic Youth of Today Declaración de guerra
Klint Swingtime Up In Haithabu
Snarewaves Alcohol Ladder
Walter Ego Forevermore (In The Dungeon)
Gleex Fmtv
Power Pants Hero In A Half Shell
Heavenly Blue Dust Collector
The Moonrakers I Fucking Hate The NZ Police
Disaster Preparations The UFO
Zig-Zag Permanently Wasted
Moron’s Morons Neon To Rust

The Dogs I Didn’t Ask
Glowing Orb Clipping
Havana Syndrome Eyes on You
Backslash Government Trap
Stupid Yuppie Assholes In Your Head
Attention Deficit Flood
Pill Mill When will you fold
Detergent Pain is Pay
Memory Ward Memory Ward
Yellow Ghoul Belt
Laughing Corpse Endless Game
The WRS Never Stop
Hot Load Heavy Blade II

Tracklist

Blue Zero Confusion
Speccy Shrine
Blood Cookie Out At Sea
Fantasma Onde Eu Estou?
Tethered Home
Luxury Apartments Life Behind Bars
Mini Skirt Chew The Cud
DE()T Welcome to the Idiot Factory
Decibel Returning To Strength
Computer Fight Enlightenment
Dick Move Karanga-a-Hape

Rata Negra Mi Opinión
TVA Rifle
Onyon Triple Moon Ride
Error De Paralaje A Veces Llueve
Itches Hurry
Smirk Domestic Dog
Death Party Dead to Me
Pen16 King Of Ska
Shop Talk Museum of Sex
Radioactivity Why

Radioactivity – Time Won’t Bring Me Down

I like to fool myself into thinking that i actually don’t have much a natural inclination towards raving fanboy-isms and try to avoid these kind of things here as good as i can, but this is one of the rare occasions where i’m just plainly unable to contain my euphoria for such a singular group that has sent such insane waves through the garage punk scene and basically set new benchmarks for catchy pop tunes with a deep and unique sense of melancholy, and all that that after the group’s Jeff Burke and Mark Ryan had previously already established themselves as invaluable garage punk luminaries by fronting another essential genre mainstay, The Marked Men. Right from the start, Time Won’t Bring Me Down strikes me as yet another instant classic of the ultra-classic Radioactivity school and Watch Me Bleed radiates that same familiar and unique feel before This One Time slows things down for the first time and sets the tone for much of what’s to come on this record, which more than ever leans into the group’s calmer, moodier side and an almost classic power pop vibe that in parts should feel familiar already to those acquainted with the Jeff Burke-penned tunes on the two Lost Balloons LPs while there’s still enough high energy rockin’ out goin’ on to also please all fans of previous Radioactivity records. Now, for most lesser groups, going slow for much of an album is usually a bad idea and a recipe for boredom and it truly takes some superior capabilities in songwriting and arrangement to pull that shit off successfully. Well, cue Jeff Burke, one of the the most accomplished songwriters of the punk scene alive today, whose unreal craftsmanship never falters even once on what might actually be the greatest Radioactivity record to date. But honestly, in a discography as immaculate as theirs, it’s actually kinda futile trying to pick a favorite.

Album-Stream →

Tethered – Tethered

Now this London group is kind of a rare beast in this day and age in that they not only lean all-in on early postcore and first-wave emocore circa mid-eighties to mid-nineties with groups such as Rites Of Spring, Moss Icon, Drive Like Jehu, eary Unwound, Squirrel Bait… you name it, while also absolutely holding their own in the present with well-balanced and fleshed-out song structures and arrangements rather than coming off as yet another bloodless rehash of the genre’s most basic signifiers. Now there’s two possible ways you’re gonna react to these words. Either you’ve long ago acquired a compulsive dislike for anything even remotely touching on *mo subgenres, which is very likely if you’ve first encountered the genre in the late ’90s or later and i can’t really fault you for that, given what terrible things that were gonna come out of it roughly from then on. Or maybe you are well aware that there’s been a lot more to the divisive subgenre in its early days, long before it entered its now thoroughly meme-ified cliché era. And in case all of that sounds just like latin to you now, i’m gonna invite you to maybe discover a bit of the unlikely creative spark and unleashed energy much of the pioneering generation had in common. Anyway, this is good shit right there and may be as good a segue as anything towards discovering the mostly still untarnished *mo and *core shit of the olden days.

Album-Stream →

Disaster Preparations – The Secret

A ridiculously impressive debut LP from this Tokyo-based group that unleashes a perfect storm of melodic but equally prouplsive noise pop and garage punk with an unpredictable, freewheeling creative energy at its core with no two songs sounding quite alike but everything feels as if made of one piece nonetheless, cycling through nine iterations of catchy noise that kinda alternates between the more straightforward sonic spaces of, say, Dark Thoughts, Sonic Avenues, Bad Sports or early Terry Malts on one hand and the way more incalculable and freakish bursts of melodic ruckus most recently heard from Eye Ball and The Dumpies on the other side of that equation.

Album-Stream →

Memory Ward – Memory Ward

If you’re yearning for more of the awesomeness brought about by Stunted Youth’s tracks on the all-around incredible Save Our Children / Stunted Youth split LP, there’s some good news for you as this debut LP by Memory Ward of Phoenix, Arizona scratches a quite similar itch of artsy and unpredictable hardcore punk very much at odds with the kinda meh standards often associated with the genre. Maybe Memory Ward don’t (yet?) reach quite the adventurousness and subtle melodic brilliance in direct comparison, but most of the goods are in place and look pretty fucking good – the eccentric song structures, the abrasive buzzsaw guitars soaring over an unhinged performance… this is quality shit! Not satisfied with just playing very hard and fast, these folks put some actual freakin’ musical ideas into their songs, which by itself already sets them apart from 99% of hardcore acts anyway.

Album-Stream →