San Francisco's Modern Needs let off one delicious fart after another into the atmosphere, consisting of straight, simple & effective Fuzz reminiscent of early 80s westcoast punk & hardcore as well as plenty of crude KBD-vibes. As such, they make good company to other contamporary bands like Launcher, Freakees, Beast Fiend or Liquid Assets.
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On their recent EP some Cleveland, Ohio based group serves us ten flawlessly executed deep brown puddles of filthy and contageous hard-/noisecore, boiled down to less than ten minutes of quirky, messy joy.
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On their newest EP, Washington's Iron Cages give us three excellent new blasts of garagified hardcore punk which indicate massive step forward for the band, towards a more compact and coherent sound friends of stuff along the lines of Fried Egg, Punk Guitars, Cülo, Anxiety or Electric Chair will surely appreciate.
California's Discovery deliver another two short but potent blasts of this particular fusion between blown out fuzzy hardcore & garage stuff that, in recent years, seems to be cropping up from every crack in the asphalt, a fact i couldn't be more happy about.
Just like its predecessor, the second EP by this band from Buffalo, NY turns out to be another highly concentrated dose of unconventional, inventive and at times strikingly melodic hardcore fun, also expanding its stylistic tentacles into places of garage-, fuzz- and KBD style punk.
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Okay… this is an easy one to explain. You just put equal amounts of MC5 and Bad Brains into a blender and the result will have a taste similar to whatever this group from Pittsburgh, Pennsylvania does on its third not-quite-an-LP. As simple as that and every bit as electrifying as you might hope for.
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Here's an ultra neat attack made of noise-drenched hard-/postcore by a band from Denver, Colorado. Think of a curious mixture of Lumpy & The Dumpers, Anxiety, Cülo or their quasi-successors Tarantüla.
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Alien Nosejob seem to become the kind of band where Ausmuteants singer Jake Robertson only does whatever the fuck he wants to at the moment. They started out as a more or less exact copy of his more well known band, then it started to get unpredictable as they ventured into retro tearjerker power pop, among other things. Also, we had to suffer through a maxi single of ultra-cheesy synth pop. This time they make it easier for me: It's hardcore. It rotates 45 times a minute. And it's very good.
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After a number of incredible EPs, it took Santa Rosa's Acrylics a good two years to assemble their fist long player, which - to no real surprise - turns out to be their most varied and mature chunk of noise. Their ambitious, but simultaneously always perfectly coherent mix of styles draws a perfect triangle between the dark post punk of Criminal Code, hardcore punk of the quite punishing variety reminiscent of Cülo, Hate Preachers, Impulso and forward thinking Postcore of acts like Ivy and Bad Breeding.
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Barcelona's Lux already have a demo and a promising debut album under their belt, but with this recent EP their sound really clicks into gear, in which some of the more excentric strands of 80s post- and hardcore punk - Man Sized Action and The Proletariat come to mind - collide with distinctive goth/deathpunk bass lines. You might also be reminded of more recend bands like Street Eaters or the potent cowpunk propulsion of Murderer.
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