Noise Violations & Sprgrs - Split

Aus­tralian la­bel Painscale Records de­liv­ers its strongest en­try so far in a se­ries of split cas­settes. Main at­trac­tion here is clear­ly the longer side com­pris­ing the de­but batch of Mel­bourne group Noise Vi­o­la­tions, who set ablaze an ir­re­sistible bar­rage of catchy hooks in a slight­ly egg-ad­ja­cent brand of garage punk with echoes of well-renowned genre pow­er­hous­es such as Sa­tan­ic To­gas, R.M.F.C., Ghoulies, Boo­ji Boys, Met­al Gu­ru, Erik Ner­vous or Gee Tee, to name just a few.
The oth­er side then con­tains the pre­vi­ous­ly re­leased 2022 EP by Grana­da, Spain group Sprgrs, which is well worth an­oth­er lis­ten for fans of dance­able Lo-Fi punk stuff in the vein of, say, Prison Af­fair, Beer, Nuts, Pringue, Dee Bee Rich and Be­ta Max­i­mo.

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Midgee - Mixtape

Our week­ly taste of catchy & funky, egg-re­lat­ed Lo-Fi garage-/synth punk weird­ness comes cour­tesy of some Mel­bourne dude or group and might be com­pared in on­ly the most fovor­able fash­ion to the likes of Prison Af­fair, Nuts, Set-Top Box and Beer. Love it!

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People's Temple /​ Hood Rats /​ Hickey

Three hard­core re­leas­es es­pe­cial­ly stuck out this week, all of 'em more or less tread­ing off the genre's beat­en paths. The most con­ven­tion­al­ly sound­ing - rel­a­tive­ly speak­ing of course - is the EP by People's Tem­ple on NY la­bel Roach­Leg Records, giv­ing us an ex­treme­ly tune­ful vari­a­tion on 80s hard­core, at times com­ing across like a blend of Cir­cle Jerks with ear­ly-to-mid­dle-era Naked Ray­gun and with oc­ca­sion­al flour­ish­es of Hüsker Dü to boot. Of more re­cend Bands, Fried E/​m might al­so fit the bill.
Hickey's tape on Arch­fiend records then in­fus­es con­tem­po­rary strands of garage-, synth- and egg­punk weird­ness with plen­ty of old­school hard­core en­er­gy, along the way al­so evok­ing the some vibes of Flip­per, Spike in Vain, Bro­ken Tal­ent… With this re­lease, we might just be en­ter­ing the eggcore era!
Montreal's Hood Rats op­er­ate in a vague­ly sim­i­lar ter­ri­to­ry, al­so hav­ing a sound ground­ed in garage punk brim­ming with lo-fi egg­punk quirky­ness just as much as with an un­kempt KBD en­er­gy and the tunes to make it stick.

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