Business as usual on the newest 7" by L.A.'s Flat Worms. Delightful, high quality business that is, with these two songs nailing their very own formula incorporating elements of garage punk, post punk and bursts of noise just dead on. So far, Flat Worms never failed to deliver the goods.
Let me be blunt here: You guys wanna convince me to pay the equivalent of ~4,60€ for a digital download of only two songs, those two songs better be fucking brilliant. Luckily, fucking brilliant is exactly what these these two tracks by some Tokyo group are. Ka-ching!
This London, Ontario group had put out a couple of already quite neat EP's in 2019 but it's only on their new full length debut that all the moving pieces really click into place for twelve 12XU-certified killer tracks made up of charmingly odd, highly inventive and exquisitely energetic garage-, synth- and post punk echoing shit like Useless Eaters, Pow!, Ex-Cult and Predator.
An abrasive yet quite melodic wall-of-sound piles up on this Aarhus group's debut album, a sound inbetween the worlds of noise pop, art- and post punk, equally reminiscent of Teksti TV 666 and Open Your Heart-era The Men, 80's SonicYouth-isms and some MX-80 edge. And as if all that weren't compelling enough on its own, the addition of a restless brass section makes the whole thing outright irresistible.
This Los Angeles group's most recent EP is some excellent, albeit disturbing shit. Gloomy post punk about rather dark subject matter concerning the human abysses both exposed and enabled by our modern technology (and yes, that explicitly includes child porn and -abuse, among other things). Sound-wise, i would describe this as a weird fusion of The Estranged and The Spits, supplemented with some serious death rock and synth wave action.