Wow, i didn't really expect that much enjoyment out of the most recent LP by this New York group... in fact, these folks have completely evaded my radar so far. What we get is a heavily Velvet Underground and Jesus and Mary Chain-inspired melange of fuzz-/power-/noise-/dream pop that convinces by sheer strength of the underlying song substance while in terms of sonics, they sure like to slow-cook their songs at low-to-moderate heat - the results are fucking delicious, just totally melting in your mouth as you relish every single hook, every speck of low-level texture in their rich sonic landscape.
I don't think i've ever given this dude from Hammond, Indiana the full spotlight he deserves here, although you might've encountered his shit on some Verspannungskassette mixtapes, where his various alter egos have been a regular occurrence in recent months. Now here are three of his latest batches of minimalist hardcore punk, each of his projects sounding pretty similar if you account for some slight variation in tempo and intensity... as well as some added bottom-of-the-barrel-end electronic reenforcement in the case of Feed, which should've rightfully earned him the title of greatest stylophone player in hardcore punk by now.
This Melbourne group delivers some of the most straight-the-fuck-ahead, no-frills ancient-school '77 style (garage-) punk imaginable on their debut EP, kinda like a way, way more traditional sounding incarnation of Amyl and the Sniffers. The fact they're able to pull this thing off without sounding the least bit stale and dusty speaks for their chops as a band as much as the raw strength of their songcraft.
Having already given an excellent first impression previously on a split tape with the great AJ Cortez, this West Palm Beach dude's follow-up EP maintains the high standard of his garage- and synth punk, radiating the quirky energy of groups such as Satanic Togas, Erik Nervous, Prison Affair, Mononegatives, RMFC... while also incorporating some '77-ish power pop sensibilities akin to Tommy and the Commies and towards the end, there's also an increasingly Alien Nosejob- / Ausmuteants-esque thing goin' on.
Wow, this group from Borée, France is juggling a shitload of different styles with striking confidence on their debut album. The thing starts out with a short, straightforward, simple blast of hardcore punk, then has them cycling through a wide array of styles including forceful postcore, hard rockin' upper-mid-tempo garage rock/-punk, groovy angular post punk and even some vaguely Pixies-esque, surf-infused oldschool 80s indie-/alternative rock. All of this they pull off with ease - there's not a single weak link on this record. Impressive shit all the way through!
A nice little battery of vaguely egg-ish garage punk and fuzz pop combining more recent weirdness à la Print Head or Freak Genes with a good measure of Desperate Bicycles, some early Flying Nun Records vibes - especially The Clean and The Stones - a touch of C86 pop (as in Cowboys Aren't Real) or also: loads of random 80s cassette culture artifacts that might or might not have cropped up on some Messthetics/Homework/Hyped To Death compilation over the years.
