Pleaser - Pleaser

Fol­low­ing up on their in­cred­i­ble 2021 de­mo, this Copen­hagen group de­liv­ers an equal­ly ex­cit­ing de­but full length. On one hand, this sounds vague­ly fa­mil­iar as the lo­cal leg­ends Low­er and (ear­ly) Iceage have sure left their mark on Pleaser's mu­sic - hav­ing a sim­i­lar ap­peal of larg­er-than-life dra­ma tan­gled up in chaot­ic and emo­tion­al no-holds-barred per­for­mances - in ad­di­tion to less­er known Copen­hagen groups like Melt­ing Walk­men, Echo Peo­ple and Spines. But then again, Pleas­er to­tal­ly hold their own ow­ing to top-notch song sub­stance and plen­ty of neat lit­tle sur­pris­es like some black met­al flour­ish­es in the in­stru­men­tal The World Says Its Name, Mor­ri­cone stylings and a Mur­der­er-es­que psy­che­del­ic cow­punk haze in Dri­ve of Dis­tress while Light and Fire and This Is How I Die have some dis­tinct Poi­son Ruïn vibes to them. Last but not least, in The Dream, a good bit of Rites of Spring, Dag Nasty col­lides with some 90s Leather­face or Sami­am vibes as well as some­what younger noise pop acts á la Star Par­ty, Times Beach, No Age, Male Bond­ing or Joan­na Grue­some.

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Wetnap - Gnarled

The full-length de­but of this Tokyo group kin­da plays out like a round-trip through some of the most jan­g­ly and melod­ic sec­tions of late eight­ies to nineties in­die rock, noise pop, post- and emo­core, con­jur­ing up the spir­it of groups like Pol­vo, Su­per­chunk, Un­wound, Bitch Mag­net, Lync, Di­nosaur Jr. and many more, with the oc­ca­sion­al flash of Slint thrown in for good mea­sure and some shoegaze flour­ish­es par­tic­u­lar­ly of the Swervedriv­er va­ri­ety - all of that bot­tled up us­ing fit­ting­ly rough lo-fi pro­duc­tion val­ues. An al­to­geth­er rare and re­fresh­ing thing these days, at least in its raw and undi­lut­ed form as on dis­play here.

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