On their second LP, noise rock/postcore trio Trigger Cut considerably raise the energy level without sacrificing much of the precision work, sophisticated structures and arrangements we've already witnessed on their debut album. Especially in the first half there are some serious Jawbox and Bastro vibes going on. In the past i'd have told you that Ralf Schaarschmidt's current and past bands are among the very best the german noise rock scene has to offer but honestly, at this point, even worldwide there aren't that many groups operating at their level.
Having only released one 7" before, the maturity of this Dublin group's debut album is quite stunning - nothing less than a fully realized, versatile and inventive take on Noise Rock, Postcore and Math Rock clearly taking some cues from classic 90's and early 00's acts like Unwound, Bastro, Chavez, Frodus, some early Shellac, while still standing on its own two feet. In the current genre landscape, Multicult might also be a somewhat useful comparison.
With their third Album, Chicago's Luggage deliver a seamless continuation of the qualities established on their 2017 effort Three, even double down on those. Fittingly and unmistakably recorded at Electrical Audio, a brittle, often crawling sound in the rough area of Noise- and Math Rock, Post- and Slowcore allows itself ample time to unfold and sounds a lot like their hometown in the late 80s to 90s. Or, at different points, like a more straightforward Shellac, slow motion Tar, much louder Slint or an even more bleak variant of Codeine.
