Another solid EP by Melbourne's Moth, this time coming across a bit less synth-heavy than on their last one. Once again this takes some cues from familiar garage punk acts like Useless Eaters, Ex-Cult, Ausmuteants and early Teenanger, as well as some of the Warttman Inc.-affiliated groups like Research Reactor Corp., Set-Top Box. Also, in Digital Crisis, their sound takes an unexpected turn towards dark post punk of the Exit Group, Diät, Rank/Xerox variety.
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Two years after their promising, though at times somewhat undercooked debut LP, we get to hear a way more consistent sophomore effort by this Auckland, New Zeeland trio. Their rather abstract yet always catchy compositions somewhere on the fringes of Post Punk and Noise Rock - plus a hint of Industrial - at several points remind me of Acts like Girls In Synthesis, Haunted Horses, Ice Balloons or Tunic - with a small dose of Lightning Bolt sprinkled in for good measure.
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Some Los Angeles group consisting of a truly all-star garage lineup delivers a pleasantly quirky mix of garage-, post- and synth punk, sometimes coming across like a crossbreed of Nots and Pow!, or like Primitive Calculators-meet-Useless Eaters in other moments.
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Another release courtesy of Satan. Thanx a lot Satan, we're all big fans of your work over here at 12XU. The newest longplayer on Sydney's exquisite Warttman Label along with italian powerhouse Goodbye Boozy amazes with another fun, fast-paced twenty minutes of oddball garage- and synth punk that has quite a lot in common with other Warttman acts á la Research Reactor Corp., Dot.com, Set-Top Box. Other than that, comparisons to early Useless Eaters or Ausmuteants don't seem too far fetched either.
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Well... i like to discourage folks from mailing me physical copies of stuff for good reason, since in most cases all this amounts to is a tremendous waste of money and natural resources while digital files are way easier to dispose of. However, these seven inches of black PVC arriving at my doorstep from a duo based not that far away from... said doorstep, has quite a bit of unexpected class - propulsive synth punk in a manner you might currently associate with the likes of Le Prince Harry, Clarko, Powerplant or R. Clown, while those english lyrics straight from the Klaus Meine bargain bin just add to its kinda cute & campy DIY charme.
I tried hard to dismiss this Orlando, Florida project as just another cookie cutter DIY synth punk/-garage artifact of our times... with the first EP that was. The second one was able to sow some mistrust in my own judgement. Number three finally served as a reminder on how full of runny shit my dysfunctional lump of grey matter can be sometimes - so bad i wish someone would transplant an anus onto my head. Evolution, you're such a terrible disappointment... These twelve songs are an incredibly fun synth punk ride overall, the kinda pop oriented variety, just getting progressively better with each new EP. Take a juicy bite if you can stand stuff like Trashdog, Warm Exit, Dot.com, Set Top Box, Power Plant, T.L.B.M., Spyroids.
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Melbourne group Moth already had a decent demo out not too long ago, but this new set of tunes is so much stronger. This is your typical contemporary garage-/synth punk stuff, plain and simple… but also quite competently done, packing some serious punch and adding a slight psychedelic touch to the mix - otherwise roughly adhering to the Useless Eaters, Pow!, Flat Worms and Ex-Cult core formulas. You can't go wrong with these.
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While we're at it, speaking of Kitchen People and Warttman Inc., here's another blast of synth punk insanity by some Kitchen People-affiliated solo project, bearing obvious similarities to Warttman acts like Set-Top Box and Research Reactor Corp., with maybe a bit of Digital Leather or Trashdog sprinkled in from time to time.
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The mighty Warttman gang's newest recruits are Kitchen People who have already done a few releases before, although - let's be honest here - none of those has been quite as ripping as their newest EP of appropriately weird, quirky muteant garage-/synth punk. These dudes should fit in comfortably with the rest of Warttman's fucked up bunch.
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So far, the synth-/garage punk project Isotope Soap a.k.a. swedisch punk veteran Peter Swedenhamar has released nothing but top quality stuff in the form of three EPs, all of them were reissued last year on a compilation album via Emotional Response. His first longplayer doesn't dissappoint either. On it, Swedenhamar considerably expands his eclectic raid of obscure punk history, resulting in his most varied and playful release yet, incorporating among other things moments of trippy space punk, pure synth pop, dreamy krautscapes. And of course also a lot of his more straightforward signature Devo-meet-Ausmuteasnts style that made up the bulk of his EPs.
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