Now this is what i call a bulky, filthy clump of abrasive noise that greets us on this Vienna based group's second Tape and their first full length effort at that. At first glance, this shit appears to primarily channel the likes of Flipper, No Trend and a touch of early Swans, plus a decent chunk of old No Wave-ish excess. But listen a bit closer and you can also sense distinct echoes of eighties japanese psych-noise groups like The Rabbits or the the US art punk classics of Chrome and MX-80. Tunes like Entropy, then again, have a bit more of an early 2010s Copenhagen vibe á la Lower and Iceage to them and while i'm already namedropping shit from that era, there might aswell be a bit of Soupcans in there. Anyway, this is fourty excellent minutes of weapons-grade sonic assault to overwhelm your senses, blow your mental fuses, bypass all inhibitions and when it's done with you, you just feel gross and wanna take a fucking shower ASAP so yeah, this record accomplishes everything it set out to do.
Considering the rave reactions i've heard so far about this Melbourne group's shows, their good-not-great 2024 debut EP so far had convinced me that their probably incredible live sound has been struggling a bit to translate into recorded form. Well, i can certainly say that this is less of an issue for much of their new mini LP which makes an overall much stronger impression for their sparkling sound that at times kinda reminds me of the psychedelic and variably surf-infused garage rock of Crsytal Stilts and Disappears mixed with a hint of early No Age and maybe White Fence, in addition to the eccentric monotonous fuzz escapades of City Yelps and the ethereal, abstract post punk melancholia of Kitchen's Floor and Mother's Milk... A quirky mixture that is for sure but it works quite admirably. Even when the band runs an acute risk of overstretching their most airy qualities in the record's slow middle stretch, the bet pays off and shit just refuses to come apart, however precarious it might look at first glance..
Now that's some tasty shit coming our way from this indonesian dude or group, four completely blown-out bursts of Lo-Fi fuzz and noise existing somewhere inbetween the parameters of spaced-out art punk of the MX-80 and Chrome variety, japanese psych- & garage punk akin to 80s High Rise or whatever Les Rallizés Dénudés bootleg you've got laying around, spiced-up with a healthy dose of sleazy motörpunk. Neat!
Exquisite new spaced-out goodness on the fantastic second EP of this singaporean group whose acid-drenched haze of garage-, post- and synth punk feels a bit like a way more pissed-off variant of shit á la Useless Eaters, Ex-Cult, Pow! or Mononegatives, with just a smidge of rowdy primitive energy á la early Strange Attractor thrown in for good measure!
Here's a sensational debut EP by some band or project based in Lethbridge, Alberta containing six perfect blows of post punk whose ear-piercing walls of noise and pulsing electric beats at times sound a bit as if an eggpunk Big Black collided with the somewhat psychedelic qualities of garage greats like late Useless Eaters, Pow! and Mononegatives - or maybe the murky old experimental punk classics of Métal Urbain / Dr. Mix and the Remix - in a breathless succession of certified bangers. I also have a hunch that fans of spaced-out noisemakers á la Corpus Earthling or french magician Pablo X are gonna lap this shit up.
The second EP by this Karlsruhe, Germany group is also the first taste we're getting of an upcoming album and just like their excellent demo tape at the end of last year, this thing combines the grimy dungeon-esque garage vibes the group obviously inherited from Thee Khai Aehm, whose members comprise half of this group's lineup, with a distinct flourish of proto punk primitivism, plenty of spaced-out psychedelic excess á la late Destruction Unit, some hardcore energy in Tear It Up and even some melodic flourishes in My Dawn, while the closing track Inte Mer Hem is nothing short of raw and simple dungeon punk perfection.
Having put out a pair of already quite impressive LPs in '22/'23, the third longplayer of this Hamilton, Ontario act really nails it this time. Following a brief ironic metal-ish intro, right out of the gate The Glove radiates a vibe of MX-80, Chrome and Metal Urbain plus just the slightest touch of The Cramps. This is some first rate fuzz-/garage-/space punk shit right here, weird enogh to keep you on your toes yet also sophisticated enough to keep you engaged, with just the right amount of ear candy sprinkled in like in Corpus Earthling Meets The Counter Culture, where a well-worn catchy standard punk riff gets the over-the top fuzz-excess treatment. Other times and especially in the first couple of tracks, there's some weird Hawkwind-goes-hair/glam metal energy going on. Just as well though, you might find similar sonic texture in a diffuse cluster of current acts such as Zoids, Thee Hearses, Monoburro, Mateo Manic, Mononegatives or Silicon Heartbeat.
A whole barrage of digital singles in recent weeks already appeared to foreshadow a new record by the London, Ontario group and indeed here it is, their second LP in all its glory, carrying an excellent new batch of their quite distinct, catchy as hell, always slightly off-kilter and quirky genre mixture containing elements of garage-, post- and synth punk, space- and psychedelic rock. You might compare some bits and pieces here to such groups as Pow!, Useless Eaters and of course the recent collaboration Telegenic Pleasures which also features some of the band members at work here - at this point though, i'd say they're pretty much carved out their own, instantly recognizable little niche.
What kind of twisted punk student exchange program would lead to an album being recorded both in London, Ontario and London, England? The band committing the deed appears to have connnections to some London's Gaggers and Miscalculations as well as some other London's Isolation Party and Mononegatives - the latter being the most obvious comparison though, as their very own brand of spaced-out synth- and garage punk reigns supreme on this record too, along with flourishes of Pow!, Useless Eaters, Freak Genes, Isotope Soap, Mind Spiders, Powerplant and Digital Leather. Fucking awesome shit, in other words.
…now that's kind of an insane move, dumping four to six LPs worth of material in a single album on bandcamp. Didn't see that coming at all, good thing we like insane shit here at 12XU HQ. With this album the group from Moffat Beach, Australia seriously earned the title "The Guided by Voices of space egg punk". Amazingly, most of this stuff is pretty freakin' awesome too, although a fair bit of fat and redundancy sure could've been trimmed off this 2-hour release for an even stronger 80-minute album to emerge in the process. Their high egg-factor mixture of Psychedelic-/Space Rock, Post- and Garage Punk might draw comparisons to the likes of Mononegatives, Neo Neos, Liquids, The Gobs, Set-Top Box, Print Head or Useless Eaters in its more high-energy moments while in the more relaxed and/or downbeat songs, groups like Die TV, Cool Sorcery, Snooper might come to mind or even an extra Lo-Fi version of the Woolen Men!
