A kickass mixture of straightforward, melancholy post- and garage punk melodicism on this Minneapolis group's debut tape. Most of all this reminds me of a mix between early Nervosas, Red Dons, The Estranged and Daylight Robbery, but even a hint of Volcano Suns, Moving Targets and the occasional smidge of Clumsy-era Samiam can be found in here. Also friends of Telecult, Short Days and Cheap Whine will sure get a kick out of this!
Excellent shit, this recorded-live-on-tour debut album by a group from Metz, France. This stuff can be roughly classified as (neo-) no wave funk with, just maybe, a slight added touch of eggpunk and occasional moments of '90s Dischord universe. Maybe think of a more energetic, direct, danceable and minimalist, less artsy variant of groups á la D.U.D.S., Pill or N0V3L.
A strong batch of new tunes by this Amherst, Massachusetts group having nothing to prove at this point… and it only took them as little as eight years to follow up their 2015 debut EP! Sound-wise, this is still mostly the same timeless brand of concise, song-based, quite dark and moody post punk, sure to get the approval of friends of shit á la Criminal Code, VHS, Sievehead, Video, Schedule 1, Sievehead, Pyrex or Clock Of Time.
Our weekly taste of catchy & funky, egg-related Lo-Fi garage-/synth punk weirdness comes courtesy of some Melbourne dude or group and might be compared in only the most fovorable fashion to the likes of Prison Affair, Nuts, Set-Top Box and Beer. Love it!
Hyperactive, quirky and chaotic yet equally smart and elaborate, slightly no wave-ish post punk from Bandung, Indonesia! This is essential new fodder for fans of shit in the vein of, say, Patti, Reality Group, Big Bopper and Exit Group.
On their kickass debut LP, Hamburg group Night Punch present a tight-as-fuck melange of slightly goth-leaning, horror-themed garage-, synth- and post punk that sometimes cranks its tempo up into hardcore spheres, other times being reminiscent of a basic Spits formula spiked with plenty of surprises and unexpected flourishes for an overall equally quirky and dark aesthetic which is sure to please dark punk-, death rock- and dungeon aficinados all the same. Further possible references would be a number of garage- and synth punk acts like The Gobs, Liquid Face, Shrinkwrap Killers, Broken Prayer, Droids Blood, Isotope Soap, the unfiltered thrust of Exwhite, maybe even a hint of Acrylics in the rougher patches.
A strong package of catchy weirdo synth punk tunes by that group from Newcastle, Australia who made a great impression already with their songs on a split EP with Cologne's Teo Wise. Its two songs are featured here aswell, in significantly more crunchy recordings - a delightful mid-fi aesthetic somewhat reminiscent of, say, early Nots, Slimex, Toe Ring, Daughter Bat and the Lip Stings.
This thing isn't exactly new at this point, having been self-released last fall on their bandcamp page. It took a cassette edition via Leipzig label U-Bac for me to actually realize its qualities though, which are really no surprise with hindsight as there are folks from polish post-/art-/math punk powerhouses Ukryte Zalety Systemu and Kurws at work here. This promises some smart and beautifully structured chaos and on this record, it comes in droves, calling to mind, along with the aforementioned groups, the occasional flash of Spray Paint or Lithics and even some Faraquet and Swell Maps to boot!
Brilliant new shit from folks who've previously been playing, among others, in Melbourne's infamously abrasive post punk act Sewers as well as the somewhat more accessible, indie rock-leaning outfit Love Of Diagrams. What we get here is once again pretty much off the beaten path, a heavily folk-infused melange in which the americana-drenched punk of, say, Angst collides with some 80s Scientists, a hint of british psychedelia and plenty of paisley underground jangleness - a deep melancholia, at times a little reminiscent of Brisbane's Kitchen's Floor finding its outlet in nonetheless catchy-as-fuck melodies, embedded into a kinda fuzzy, nebulous soundscape. Other times, the melodic post punk of The Estranged comes to mind or the relaxed psychedelic garage- and power pop of White Fence, The Cairo Gang. Other plausible references include more or less recent groups á la Damak, earlier Chronophage, Dead Finks, Refedex and The Molds.
On this record, every new song kinda reminds me of a different bunch of groups which is great really, many of those being australian which is also rarely a bad sign! The opening track, for example contains echoes of The Estranged, Red Dons, Xetas, Civic, a touch of Saints and Birdman. True Method has the sleazy rockin' qualities of Golden Pelicans and something else i can't really put my finger on right now. Throttle has some dumb straight-ahead Feedtime energy to it and the subsequent stretch of songs then has straightforward garage punk á la Ex-Cult, Sauna Youth blending into more melodic garage and power pop shit á la Radioacticity, Bad Sports, Mind Spiders, Bed Wettin' Bad Boys. Potential to Ride shares a similar vibe with psychedelically inclined post punk acts á la Public Eye, Waste Man or Marbled Eye. Finally, the two closing tracks remind me of the simple, undiluted impact of australian powerhouses Split System, Polute, Jackson Reid Briggs and the Heaters. All of this is grounded in unfailing, confident songcraft and compacted into an incredibly tight, certified all-killer LP.
