Cleveland's The Cowboy are back! Two years after their explosive debut album, the group featuring members of Pleasure Leftists and Homostupids haven't lost their ability to kick ass with a sound oscillating between garage- and post punk, noise rock overtones, an abrasive surface combined with disarming catchyness. All this reminds me of bands like Plax, Ex-Cult, Shark Toys and Flat Worms. Also, in a rather unexpected turn of events, we get exposed to a laid back indierockin' instrumental tune on the b-side.
Shit Giver's 2017 debut album left quite an impression on me with its ambitious and versatile vision of post punk, bursting with excentric ideas and unpredictable song structures. The L.A. group's first new music in almost three years doesn't fail to amaze and surprise once again. It's their melodic songwriting abilities that come into sharp focus here, taking shape as an irresistible mix of post punk, power- and goth pop, developing a catchyness i wasn't prepared for. Meaningless ignites some unexpectedly straightforward pop fireworks, complete with a borderline-cheesy sax solo, the kind of which a lesser song wouldn't survive, but in this case i can't help but percieve it as a well-deserved climax. Transition seamlessly continues their newfound love for gloomy pop, but also proves that Shit Giver haven't lost their taste for elaborate structures, either.
This Vancouver outfit's second tape is such a massive load of fun. Their playful style of post punk balances with ease between its rough edged textures and highly danceable grooves, which puts their sound right in the middle between the excentric punk rock of acts like Negative Scanner or Twisted on one hand, the infectious rhythms of Slumb Party or Rapid Tan on the other.
This excellent Debut EP by Liverpool's Sallow Pillow easily wins me over with its flavor of straight and effective, slightly surf-infused garage punk right in the vein of Black Lips, early Ty Segall or Debate Club. You can also sense a consistent Gun Club vibe as well as a certain post punk edge similar to Luxury or scandinavian acts like Holograms and RA. And to make things complete, when they roll out some americana influences like in Wear Out The Rope i can't help but feel positively reminded of Vaguess.
After a number of incredible EPs, it took Santa Rosa's Acrylics a good two years to assemble their fist long player, which - to no real surprise - turns out to be their most varied and mature chunk of noise. Their ambitious, but simultaneously always perfectly coherent mix of styles draws a perfect triangle between the dark post punk of Criminal Code, hardcore punk of the quite punishing variety reminiscent of Cülo, Hate Preachers, Impulso and forward thinking Postcore of acts like Ivy and Bad Breeding.
Two preview tracks from this (probably) british band's debut EP already made me kinda hungry for more of their shit and now the record's other two songs prove we haven't been promised too much. A soundscape of restless garage punk unfolds, transporting a feeling of widescreen spaciousness you rarely get to witness in this genre - somewhat as if recent Uranium Club met Radio Birdman and Modern Lovers, complemented by a bit of MX-80 weirdness. Also, the epic closer Seasons 13-31 seems to have taken some cues from Wipers' Youth Of America.
Exquisite shit from Rouen, France. Kumusta emerge on the scene with a fun mixture drawing a line from noise rock & -core on one end of the spectrum, some raw garage energy on the other, a shitload of post punk & postcore in between. Imagine a fusion of slowed-down Bad Breeding with Criminal Code in certain moments, or at other times, you might be reminded of Australia's postcore powertools Batpiss and Bench Press.
Last year's long playing debut by Seattle group Big Bite already struck me as an anomaly of the most welcome kind. Now their sophomore effort comes across as no less brilliant - once again breathing new life into a particular 90s niche, oscillating somewhere between straightforward, no-fuss but high-thrust indie- and alternative rock plus a bit of shoegaze. Think Sugar, Polvo or Swervedriver when it comes to bands of the aforementioned era, or of more recent acts like early Ovlov, Pardoner, Milked or Dead Soft. Psychedelic moments are given a bit more emphasis here than on their first, while in the album's final stretch you can sense a subtle post punk vibe of the Teenanger or Constant Mongrel variety.
Once again Barcelona's scene is killing it! Plataforma manage to do just that thanks to a beautifully rough, DIY-as-fuck sound in the realm of dark-/post punk with a healthy dose of goth/death rock doom & gloom. Crisis come to mind as well as the early 2010's Kopenhagen scene - think Lower and early Iceage - and some more recent stuff like britain's Disjoy.
While their last EP Fan The Flames didn't appeal to me as much as i hoped for, their newest 7" shows London's Girls In Synthesis at their best. Just like before, their sound is a skilled balancing act on the threshold between post punk and noise rock, thus operating in much of the same realm as Bands like USA Nails, Tunic or John (timestwo), among others. The definite highlight here is Smarting with its kinda Big Black-esque way of guitar shredding.
