A spectacular first impression of a Copenhagen group playing a rather unconventional mix of post punk, hard- and postcore incorporating a rare sense of melody and a strong psychedelic, almost shoegaze-y undercurrent. Also, thinking of the Copenhagen scene, you can't help but register a faint echo of early Iceage and Lower.
Garage punk from Spain that hits all the right spots dead-on and conveys exactly that kind of explosive momentum of a band hungry to play - the kind of vibe that's been a bit scarce recently, owing to obvious circumstances. To me, their sound calls to mind bits and pieces of Dadar, Sauna Youth, Ex-Cult, Constant Mongrel, Jackson Reid Briggs or Pedigree while also revealing a strong post punk vibe at times, kinda like Berlin groups such as Pigeon, Diät, Pretty Hurts crossbred with the melancholic moods of Red Dons, Telecult or Nightwatchers.
Yay! New shit by that person or group who might or might not be based in Hicksville, NY and whose 2020 garage-/post-/eggpunk borderline-masterpiece Happyhappy made me exactly that. So now we get a new short playing Hi-Fi experience as well as some other, slightly less short and ever-so-slightly less Hi-Fi thing. Boring this certainly ain't and as for that other thing… i think i have some basic idea what they don't think they know the fuck they're doing and they're doing it just fine and it's fucking glorious and i love every fucking second of it!
Yet another EP by Bristol's leading powerpop/postpunk manufacture holds yet another pair of irresistibly melancholic earworms. Does it still make sense to namedrop Television Personalities here or might this shit already qualify as downright, dare i say it… beatlesque?
The debut EP by Brisbane's Refedex is a heavy steamroller of dark noise rock, sludge and post punk that's often rather slow and atmospheric without ever getting tedious or losing its irresistible groove. Although their overall vibe sounds ultra-classic to me, i'm having trouble pinpointing exactly where i've heard this kind of thing before as their sound kinda transcends the usual genre boundaries, among other things incorporating the kind of dark americana blues & country vibes you might expect from an 80's Scientists record or more recently from US post punk group Bambara, while on the more classic noise rock side of things, you might draw comparisons to contemporary Bands like Alpha Strategy, Luggage, Heads or Tropical Trash. You might also find a bit of Cows, U-men or Scratch Acid in there, each of them spun on half-speed. Whatever you wanna call it, this is first rate shit!
Cleveland punks The Cowboy have yet to release a record that doesn't totally rip and their third LP won't dissapoint either with their sound feeling perfectly worn in and at this point, i'd say they've established their very own, instantly recognizable micro-niche on the intersection of propulsive garage punk and abrasive noise rock while still breaking things up enough to keep shit interesting.
The London postcore/noise rock duo once again convinces by way of sheer force coupled with unerring precision, every single detonation on their second LP using a rather minimalistic recipe in the most focused way possible to achieve maximum damage. Don't miss this spectacle if groups like Tunic, Death Pedals, USA Nails or Metz are your thing.
Not too long after the recent During 7" on Chunklet Industries (a full length of that group should be expected drop soon) we already get to hear another group featuring Spray Paint vocalist and guitar player Cory Plump. As Rider/Horse he's teaming up with a dude named Chris who has in some unspecified capacity worked with the likes of Les Savy Fav and Trans Am. Together they're creating a sound that's taking the more electrically driven vibe of the most recent Spray Paint releases into a dark and hazy, heavily industrial-leaning psychedelic nightmare kind of realm somewhat reminiscent of Exhaustion, Haunted Horses or Danyl Jesu, as well as the dub-infused soundscapes of Exek, with whom they also share that certain taste of Swell Maps.
Guadalajara, Mexico group Mess recently put out yet another EP whose totally unashamed oi!-ness is, to be perfectly honest, a bit too much for me to bear. This more post punk-leaning two-track digital single they released just a week earlier is pure gold though.
Having released a somewhat hit-and-miss debut tape last year, the Berlin group's newest LP shows off a considerably matured, heavily roots- and folk-influenced flavor of post punk whose overall vibe echoes the americana-/cowpunk of Angst while also evoking with a bit of post-Miami Gun Club and solo Rikk Agnew. Among their contemporaries, you might compare them to groups such as Jackson Reid Briggs & The Heaters and Low Life. Other times, like in Reanimation, Pissing and Look Of Disgust you can sense a certain british invasion-style melancholia with hints of The Resonars or The Bevis Frond. So in a nutshell, this ain't quite your average selection of ingredients for a punk album… which kinda makes this a perfect fit for Erste Theke Tonträger who, as i just learned, are gonna be handling the european vinyl release of this beauty.