A new EP by that Falmouth, UK goup consisting of most of Internal Credit’s members, including Charlie Murphy here on guitar and vocals – the dude’s also in Freak Genes and The Red Cords. Their newest EP picks up right where the last one left off, which means that once again excellent songwriting chops collide with melodic and melancholy, clearly Wipers influenced post- and garage punk which fans of Nervosas, The Estranged, Daylight Robbery, Radioactivity or Anxious Living should by no means miss out on.
More incredibly bonkers shit out of the belgian Belly Button Records orbit. What we get on this dude’s debut EP under the Nubot555 moniker (previously the culprit has been doing shit as King Dick) is some garage- and electro punk mayhem of the overwhelmingly egg-ish variety. These lo-fi gems manage to counterbalance all their quirky weirdnes with plenty of smarts and creative energy, making for an impressive debut easily standing out even in its fairly crowded genre pool. I’d say Egg Idiot have found their match here.
On their first full length effort, this Stockholm group kicks up an excellent fuss divided into snappy to-the-point punk blasts taking place somewhere between the poles of garage punk, hard- and postcore with certain parallels to acts like Tenement Rats, Sick Thoughts and early Teenanger on the more garage-leaning side of things as well as garage-infused postcore acts such as Video, Crisis Man, Ascot Stabber, Batpiss, Flowers Of Evil.
You can’t go wrong with any new release by that UK garage-/synth punk duo teaming up Proto Idiot’s Andrew Anderson with Charly Murphy of groups such as The Red Cords, Internal Credit and Isolation. After exploring a more cold, minimal synth aesthetic sound on their previous LP, this one presents them in a somewhat fuller sound and probably at their catchiest so far, channeling primarily the spirit of first-wave synth punk acts á la Primitive Calculators, Nervous Gender, Screamers, Units, Minimal Man and of course Devo (duh!), while from the current landscape, comparisons to Isotope Soap or Alien Nosejob in full-on electro mode may be drawn as well.
A new dungeon punk artifact from Karlsruhe, Germany. In contrast to the bulk of this young micro-genre’s acts, Thee Khai Aehm don’t incorporate a whole lot of oldschool metal influences, rather approaching the musty dungeon aesthetic from a distinct psych-/acid rock angle, kinda like a mix between classic Oh Sees, Strange Attractor and… Salamirecorder, maybe? Always playful, mostly weird, sometimes epic and presented with a muddy, dusty production aesthetic as if these songs haven’t been exposed to daylight and oxygen for centuries.
Awesome synth-/ electro punk shit from Berlin that kinda plays out like a curious mix of Pisse, Puff! or the most recent, electro-heavy Schiach EP. Further you might draw comparisons to Spyroids, Heavy Metal as well as old synth punk staples á la Screamers, Nervous Gender. Klickfarm in particular might have taken some cues from the Visitors’ classic ripper Electric Heat as well.
The most unexpected gem of this week comes from a Paris group and apparently has already been recorded in 2018. This is a puzzling and overwhelming burst of chaotic noise crudely wedged inbetween the edges of garage punk, KBD-style oddities and the weirder fringes of early 80s hardcore punk. The opener VVV evokes a vibe kinda like a mix between fellow frenchmen Subtle Turnhips and US hardcore oddballs Landowner while Moose Lodge conjures up the legacy of, among others, proto noise rockers of the Flipper, Broken Talent or Fungus Brains caliber. City Blocks unites the qualities of Bad Brains and MC5 in a neat little package. Other times, they evoke The Mentally Ill or kinda bridge the gap between Neos and Neo Neos while numerous more recent groups á la Total Sham, Liquid Assets, Launcher, Crisis Man, Freakees or Liposuction aren’t too far off either at one point or another. This shit is as unique as it’s primitive and mostly unpredictable, more than once defying any attempt at categorization.
Another primitive blast of no-bulllshit hardcore-infused garage punk by a group kinda predestined to get released on Total Punk Records, conjuring up only the most primal and chaotic tendencies of acts like Crisis Man, Liquid Assets, Launcher, Mystic Inane, Fried Egg… and maybe a slight hint of The Mentally Ill on top?
Excellent shit via Turbodiscos. Leipzig/Berlin group Exwhite shouldn’t need an introduction at this point, having blasted a respectable hole in the floor with their recent Estray EP. Their side to this kickass little EP won’t disappoint either as they deliver two comparatively straight-ahead, no-frills garage punk smashers. No less exciting are the tracks by Olympia, Washington synth-/garage punk act The Gobs who’ve already been making waves with a whole shitload of blown-out lo-fi demo releases. Here we get to witness them in something approaching proper mid-fi quality for the first time. Sounds fucking awesome too, who would’ve thought?
New shit by the world’s only viking synth punk project… and we’ve got another winner! The title track just sucks you right in with a throbbing beat not unlike to the recent Dance single, spiked with a hint of ancient eurotrash cheesiness. With Go Ahead we then get an effective straight-up no-frills punk smasher, while the oddly placed/titled Instrumental Interlude feels like fun hommage to classic chiptunes that will also mesh well with the ongoing dungeon synth/-punk wave.
