USA Nails – The Lubricant Of Self-Hate
Routine Flesh releases February 12th via One Little Independent Records.
Routine Flesh releases February 12th via One Little Independent Records.
Full Throttle Go Ahead releases November 1st via Break The Records.
Monolithic Discipline releases December 5th via Meritorio Records.
Totalna Tama releases October 26th via Prank Records.
The Last Nail releases November 20th via Relapse Records.
Dissolve Here releases in January.

Early Grave Execution
Depraved Dash's Sleazy 4-Trak! A True Story Written On The Bathroom Wall
Fugitive Bubble Duality, Mystery
Family Dog Parking Lot Consolation Prize
Götri Bludgeoned Nazi Scum
Eason! See You Again
Milo Stamp Mombasa (Do or Die)
Roo Stafford Future's Bleak
Jack Goodrich Runner Up
Obamacare Watch Out = Slippery Snow
Raybees Wait Up
CRV Natural Language
Sprgrs Bruxismo
Los Tricornios Unknown Title 1
Spam No Te Enamores De Un Robot
Emergeense Shitty Life
Nose Hair Fall In Line
Placemats Tree of Heaven
Open Module CCTV
Psychal Candy Like Pain
Raw Optics Stay With Me Forever
The Mightees I Don't Agree
Love Banana Seagull
Psychic Flowers Crushing the Microscope
Splitt Headd OTVC
Traps PS Engine Idles
Evinspragg I Make My Own Luck
Permanent Tetokaku.rar
Big Kiss 3D Woman
A Hella Atrocious Band And Not A Very Positive One At That Treatin' Me Dirty
The Tangees Monster Trucks (Are Kickass Bro)
Dial Painters Fair Shot
W.O.M.B.A.T All My Friends Are Leaving
Das Rad Clouds On The Moon

Now here's a true mystery band for ya that may well originate from earth's inner core or from Saturn's rings or Bavaria or the nth circle of hell, or maybe i'm just imagining the whole thing i don't know what the fuck is going on here. But in case that shit's actually real, i'll try to describe it as the sort of at best tangentially egg-infused, spaced-out psych punk of the most out-there and deraged breed, the kind you'd imagine being blown through the raptured speaker cone of some ancient haunted AM radio coming alive and blaring away each night in an abandoned shopping mall or hospital building or whatever. Quite appropriately, these broadcasts themselves are about as impenetrable as any old numbers station dispatch, probably unrivaled in the 12XU class of '26 in terms of sheer unsettling disorientation as these tunes appear intentionally set-up to catastrophically fail at any moment in unpredictable ways but rather miraculously, the fragile structures holding things in place here, as much as they keep swaying and creaking incessantly, never quite collapse, but rather even expose a good deal of quite catchy garage hooks under their deep layers of grime and fuzz. Though not completely unheard of in our spheres - i'll say Psychal have a number of spiritual peers in the likes of Zoids, Silicon Heartbeat, Corpus Earthling, Mateo Manic or Thee Hearses for example - you've rarely encountered a specimen of this kind going quite as far in its boundless excess of acid rock depravity.
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One of hard-/postcore's most incorruptible acts of recent years returns with yet another kickass record that doesn't sound like much else these days, apparently still not feeling any urge to significantly polish up their sound which of course doesn't mean there hasn't been tons of growth and refinement to their music along the way, which more than ever feels like a comprehensive round-trip through a decent stretch of the more out-there and weird fringes of artsy early eighties punk and hardcore history. This shit is just about the roughest-sounding material these Olympia, Washington based folks have done in a while, yet there's always a strikingly purpusefully crafted quality to their sonic chaos, the kind only a group as wildly superior and creative as Fugitive Bubble can pull off so consistently and effortlessly.
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Leicester, England dude Roo Stafford appears to be on a roll right now, firing off another batch of first-rate garage punk projectiles just about a couple weeks after the pretty fucking excellent Stoned & Running EP. This time i get a less pronounced sense of 2010s proto-egg vibes and am instead reminded a lot of different groups from that same era á la Kid Chrome, S.B.F., Urochromes or Andy Human & The Reptoids, though beyond that welcome flashback to what i'll call 12XU's formative years, this kind of shit has also been kept alive in recent times by the likes of Jean Mignon or D. Sablu for example. Anyway, this is yes another viciously addictive treat of this particular kind.
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In the current, heavily consolidated and codified eggpunk era, the third EP of NYC's Raybees doesn't exactly break the genre mold on a surface level, but stil sticks out by at least bending the rules a decent bit, elevating what at first glance could have been yet another average artifact of the Prison Affair school with a more cluttered production aethetic and what sounds to me like some truly fun pots-pans-and-washbasket style bedroom drumming laid atop the otherwise kinda standard vintage electric beats. There's a genuine sense of joy and a creative spark emanating from these songs which the genre is often lacking for me more recently and it certainly helps that there are some heavy-duty songwriting chops on display here too, especially in the increasingly synth-dominated second half with tunes like Knife Fight and the closer Victory March having more than just a little of an oldschool Digital Leather feel to them.
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This dude from Lawrence, Kansas who's apparently also been making sick noises with the likes of Ghoulies (not to be confused with the australian egg punks of the same name), Jackoffs and Drastic Plastic, now has another quite enticing treat for us in the form of a solo cassette that captivates right away with a make of somewhat glam-, southern rock and power pop-infused garage punk goodness that sits somewhere in the neighborhood of the early Sheer Mag singles, early works of Powerplant and more recently the incredible Elvis 2 LP. The last two tracks can't quite live up to that level of brilliance but damn, for such a quick-shot effort written and recorded in just a couple weeks this ain't shabby at all. Looking forward to more.
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