London Clay – Desire Lines

Private View releases October 24th via La Vida Es Un Mus Discos.

80HD – Elf Tavern

Orc Party releases October 14th via Iron Lung Records.

N.E. Vains – Running Down Pylons

Running Down Pylons releases November 7th via Big Neck Records.

Mala Vista – Snub Nose

Snub Nose .38 releases October 31st via Ghost Highway Recordings & Spaghetty Town Records.

Magic Fig – Valerian Tea

Valerian Tea releases November 21st via Exploding In Sound Records.

Lazy Small Fry Week Roundup Post

It's been a weak of smaller-fry (albeit excellent) releases and i'm behind on my blogging queue anyway so i'm gonna take the easy route of collating it all into a single blog post this time, okay?

First off, there's some delicious new hardcore shit from Hattiesburg group Silo Kids, further bolstering the stellar reputation of that unassuming mid-sized Mississippi town for being on the forefront of inventive and quirky hardcore punk that just refuses to play by the established rules and conventions.

With Power Pants of Winchester, Virginia on the other hand, we kinda know what we can expect from a new release, of which there are quite a few already and the next one is never too far off anyway (their recent CS5 Cassingle having been mere weeks ago aswell). Their newest PP11 EP feels like a considerable level-up from anything they've done before though in a discography that just may have started to feel a bit redundant at some points. Not that anything fundamental about their catchy melodic garage punk sound had changed, but these are cleary some of the most rippin' and well-crafted tunes we've heard of them so far.

Scrawlers from Tacoma, Washington then appear to scratch a quite similar - though also way more fuzzed-out and rough - itch of simple and effective garage punk delicacies that'll sure have friends of S.B.F., Kid Chrome, Gobs or Robbie Thunder approvingly nodding along to.

Dallas, Texas group Thyroids have been going for many years now but really hit their stride in the current decade with their sound growing ever more unpredictable, evading clear catigorizarion and this holds truer than ever on their newest two-track single, on which elements of garage- and synth punk, noise rock/-pop and eggpunk bounce off each other to exhilarating effects.

Last but not least, there's yet another Snarewaves EP delivering more of their patented electro punk formula that's every bit as strikingly simple as it is out-there and pretty much unique right now and although you'd think that kind of thing would run into the law of diminishing returns at some point, so far every new release just has left me craving more of that good shit.

Album-Streams →

Manduria – Shake It

Bite Me releases December 5th via Wild Honey Records.

AUT! – Straight Line

Verspannungskassette #99 (C-60)

Tracklist

TFA GT Racer
Corpus Earthling Killer On The Loose
Losses Programmerer
Electric Prawns 2 Fire
No Peeling Pink Flamingos
Power Pants Sucka For Love
Billiam New Wave
Teenage Hearts Gotta get rid of you
The Icks Pressed
Winston Hytwr's Perfect Harmony P.H.M.O.
Mitraille Fuck You I'm Going on Tour
Billy Batts & The Made Men Cory, the Breadman
Autolyse No-Go Zone
I.C.B.M. Borderlines
Teenage Earthquake Summer Of Sam
Fan Club Stimulation
Robber Dog Eat Dog
Gob Infantino
Shudder Riot in Gods Love
Sakura Mierda De Vida
Illiterates Sustainability
Syphon Dull Moments
Daunting Nightmare Air Thick With Flies

Tracklist

Radioactivity Time Won't Bring Me Down
Mujeres Podridas Sol
Tank Kiss A Bug Called Fear
Cool Whip Oblivion
God's Hand Remodelled
Orrendo Subotnik Fango infetto
Teens Late July
Fog Bloody Rotten
Alt Generic Me And My Catastrophe
LÁZ Általános Életkrízis Magyarországon
Haraball Floral Prints
Computer Fight Past Man
Pegamento La Fuerza

Electric Prawns 2 – Back Off Track

I wasn't entirely sold on the novelty-rocker vibes of the bluesy, hard-/dad-rockin' preview tune Hairy Man, but damn, does this new record not only get better from there on (plus, Hairy Man does work a lot better in the album context too), but there's also easily some of the groups best material to be found on here with the following tracks Beef and Fire having plenty of an oldschool Useless Eaters and Pow! feel to them while Out Of Touch gradually dials up the levels of psychedelic haze that we've known at its most pronounced from their previous Perspex LP, before Hell (or rather, the first part thereof) finally kicks open the floodgates of catchy-as-fuck garage punk/fuzz pop goodness as we all know pretty much any Electric Prawns 2 record eventually does. The second circle of Hell (or maybe they're better understood as two seperate songs, both called Hell?) takes all of the above and imbues it with a slightly campy goth note not unlike more recent Powerplant. Other notable highlights are the burst of ultra-classic aussie rock'n'roll that is Piece of Me and the in equal measure melodic and blues-infused bubblegum vibes of Waste, all of it arguably making for their overall strongest record so far. Who would've thought, making albums of conventional length may not be the worst idea after all!

Album-Stream →

Orrendo Subotnik – Orrendo_3

Previous releases of this group from Pisa, Italy have all been obscured by a thick veil of of Lo-Fi grime and muck, yet the rough sonics couldn't do anything to fully conceal the raw brilliance hiding beneath all the clutter. For their newest EP, they polished up their production values just enough for the first time to bring their eccentric, pocket-sized post punk epics out of the murky shadows and confirm our suspicion they don't have to fear the revealing exposure to broad daylight. Starting off with a vibe not dissimilar to early 2010s surf-infused noise pop and fuzz punk groups like Male Bonding, early Wavves, No Age, Times Beach, Tiger! Shit! Tiger! Tiger! or, way more recently, Shooting Losers, it doesn't take long though before their tunes also develop a distinct last-decade post punk feel á la Die! Die! Die! and Piles, but also rougher, weirder punk phenomena like Dumb Vision, Piss Wizard and Pink Guitars wouldn't be too far fetched as a reference. On top of that, there's an unmistakable hint of mid-90s-to-early-2000s postcore at play here, the kind some uncultured philistines may be inclined to dub screamo but let it be known once and for all that this distinction shall be considered an insult to any good band, so no, this ain't screamo and fuck you for even bringing up that cursed idea.

Album-Stream →