Leper – Suckling Pigs

Ögat​/​/​The Eye releases June 30th via Kink Records.

Verspannungskassette #15 (C-60)

Slayer Jr – Slayer Jr

Another way-too-short cassette bearing the gift of quality dumb oldschool punk crankiness of the heavily KBD-leaning kind, made by two members of L.A. weirdos Launcher. What's not to like?

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Cosas Ilegales – Cosas Ilegales

This is already the second awesome release for this week coming out of Mexico. To be fair, this record is already a few months old but still… there's clearly something brewing over there. The debut album by this group is a highly concentrated caffeine shot of drum machine-driven full-speed-straight-ahead garage punk with some slight similarity to groups like S.B.F., Kid Chrome or Arse. Sometimes noisy, sometimes melodic, always catchy and exhilarating.

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Kaputt – Movement Now

Movement Now​ / ​Another War Talk 7" releases May 14th via Upset The Rhythm.

UV-TV – Distant Lullaby

Always Something releases May 28th via Papercup Music.

Alien Nosejob – HC45-2

This is the second hardcore 7" of muteant Jake Robertson's Alien Nosejob for Iron Lung Records, his third harcore-centric release overall if i didn't miss anything. And of course it's yet another delightful batch of playful, inventive takes on the genre. What else did you expect?

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Cosme – Demo

Now that thing's a treat! Some group from Ciudad López Mateos, Mexico delivers a truckload of pure joy on this tape, condensed into three straightforward-as-fuck bangers made out of fuzzed-out garage- and bubblegum punk with some synth-sweetness on top, transmitting an undiluted sugar rush straight into your bloodstream.

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Dollhouse – The First Day Of Spring

Dollhouse's 2019 demo already was a thoroughly respectable blast of forward-thinking noise and even more so is their new EP that came out recently via Toxic State Records, thanks to a comparatively slick production putting their sound emanating from a gray area between modern hardcore, post punk and postcore in just the right light, balancing abrasive scuzz with sheer force. The whole thing calls to mind a refreshingly diverse cluster of groups like Mystic Inane, Hot Snakes, Wymyns Prysyn, Launcher, Cement Shoes or Liquid Assets.

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Set-Top Box – Max Headroom

Another tasty foursome of catchy, quirky garage- and synthpunk blasts sees this rather mysterious australian group/project continually creeping towards devofied DIY punk perfection, solidifying their ever-rising status among their genre pool's supreme present-day überdudes.

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Electric Chair – Social Capital

On their newest EP for Iron Lung Records, the Olympia, Washington group dials down the garage factor of its earlier efforts a few notches without sacrificing their own distinct vibe, skillfully avoiding the pitfalls of a dull oldschool purism by breaking with the tried-and-tested hardcore formulas in all the right moments, while still embracing their timeless potency where it matters.

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Civic – Future Forecast

This Melbourne group's first longplayer is a seamless continuation of what was already so lovable about their previous EPs. Sure, their style of oldschool garage punk with that undeniable Radio Birdman vibe has grown a quite long beard by now, but what a charming and glorious beard that is! To be fair, they're also trying out some new things here, at some points letting a touch of Wipers shine through, dabbling in dark post punk or trying their hands at AmRep-style sludgy noise rock. But let's not kid ourselves here; what this group does best at this moment is knocking out one straightforward yet sophisticated rocker after another with amazing confidence.

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T.L.B.M. & The Joy Toys – T.L.B.M. & The Joy Toys

For every purchase of this nice little cassette put out by our favorite incorporated purveyors of innovative discontinuity you also get a free fake origin story. 1982 my ass, this is of course still the same dude who did this other thing a while back. Though his newest output contains a bit less weird fuckery, it makes up for that with a lot more fuzz, more melodies and negative zero production values that sound just right to my ears.

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