A yummy new EP by Montreal punks Priors delivering three new infectious smashers starting off with some garage-meets-hardcore energy akin to sped-up Useless Eaters or Mononegatives, followed by a super effective midtempo post punk stomper with a hint of Wire. The closing track, then, has a bit of a Screamers and Devo vibe to it and also bears some similarity to more recent stuff by Isotope Soap.
Okay, so it appears egg metal is a real thing now? Kinda makes sense if you think about it, like the cutesy, garage band-fueled lo-fi flipside to the current dungeon punk craze. This shit sounds a bit as if if a particularly lo-fi incarnation of Sheer Mag at their semi-recent hair metal pivot had kept at least a healthy minimum of self awareness.
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Not sure where these folks are based - La Vida Es Un Mus Discos' bandcamp page mentions uruguayan bands as an inspiration so maybe that's where the good shit is happening? Their facebook profile might clarify things but these days, i'd rather stay in the dark forever than logging onto that stinking heap of crap one more time (speaking of which... C'mon fuckers, what are all of you still doing over there? Move your punk asses over to the open, independent, non-corporate fediverse! Bring your friends over too!). Well, whether that's the case or not, their style of post punk reminds me quite a bit of Barcelona punks Algara for more than just their spanish vocals, albeit with a nice melodic street punk vibe and a slight touch of The Estranged on top.
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Pretty fucking amazing shit, the second long player of this group from Tournai, Belgium. Right out of the gate i'm reminded of so much good stuff both ancient and contemporary on the intersection of art-, post- and garage punk, rounded out by a distinctly dissonant no wave-ish, noise rock-y edge. Sometimes they sound a bit like as if the americana-infused post punk of Angst were to collide with the simplistic beat of Man Sized Action and a good measure of early The Fall strumminess. Other moments, i imagine to hear echos of Membranes, Gordons or Swell Maps, while you might just as well draw comparisons to more recent acts such as Honey Radar, Toe Ring, Lithics, Germ House, Shark Toys and Subtle Turnhips.
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Now what kind of black death is this shit supposed to be again? The Bandcamp-bred dungeon punk (micro-)genre rarely fails to amaze when its over-the-top absurdity collides with such top-notch performances and quality songcraft repeatedly. What kinda starts out like an oldschool black metal-infused bastardization of Chubby and the Gang and early Sheer Mag subsequently throws quite a bit of (neo-?)folk punk RNA into the mix, dares to build up kinda elaborate and flexible song structures while never neglecting its pop qualities, making for a both dread- and joy-inducing soundtrack for a doomed humanity on its way towards the new post-apocalyptic dark ages.
Another release by Kalamazoo, Michigan garage punk luminary Erik Nervous is always a rusty bucket full of of pure joy to behold. Largely delivered with a borderline-hardcore energy level (halfass my ass!), this EP is without question among his most direct, compact and streamlined batches of tight-ass smashers to date. Oh, and what would an Erik Nervous release be without the promise of a yet-to-be-recorded vaporware song that might or might not crop up at some point?
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Four-and-a-half fun litte strumming excercises of the heavily proto punk inspired kind, done by a dude who also happens to be a member of Toe Ring. Sounds a bit like a mix of Peace De Resistance, Woolen Men and Honey Radar with a hint of Modern Lovers on top.
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Quality shit from Phantom Records once again. The culprits, this time, are yet another Berlin group playing a breed of post punk (really, who'd have guessed....) which proudly wears its origins on its sleeves yet manages to put an inventive and playful spin on every single track. Funky but thankfully not too polished, there's also a prominent surf rock vibe at play here ricocheting through their arrangements like a steel rod willfully thrown into the spokes, always making for some delightful stunts and maneuvers. Sometimes we also get a touch of rockabilly as put through a Gun Club-meet-The Fall meatgrinder. My personal fave here is a little banger called Angerman which perfectly applies the carrot-and-stick approach in its juxtaposition of dissonant noise and melodicism.
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Somehow i must've overlooked this Ocean City, NJ dude so far. His long playing debut and third release altoghether hits my nerve dead-on though, with a variety of simple & stupid garage-/electro- and, occasionally, synth punk, often with a distinct 77-ish bent calling to mind old pioneers à la Screamers, MX-80, Metal Urbain/Dr. Mix & The Remix as well as a slight hint of Chrome. In Country Girls, quite fittingly, we even get a touch of Gun Club-esque americana-/cowpunk while of the more recent scene, you might draw comparisons to groups like S.B.F., Kid Chrome, Zoids or Mateo Manic.
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Nothing short of pure brilliance is what we get once again from that weirdly british sounding Oakland, California group. Their newest EP might be their least post punk, most power pop sounding record so far, bristling with tons of masterfully crafted, endlessly charming Television Personalities worship plus a touch of Mekons or Desperate Bicycles.
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