PeeCeeTee – I Can’t Afford To Rock N’ Roll

The Debut LP of these portuguese fellows delights with a flawless blend of synth-enhanced garage punk that on one hand often feels like a welcome throwback to an earlier, late-2010s era of electrified, egg-ish punk delirium of the Set-Top Box, Research Reactor Corp. variety with additional touches of Ausmuteants, S.B.F. and Kid Chrome's heavy-duty riffing, while all the same feeling stylistically equally well-connected to somewhat more recent artifacts by the likes of Beef, The Gobs, Kerozine, Factory City Children and, most of all, 3D and The Holograms. So, certainly not reinventing the wheel here but nonetheless this is fun and well-executed shit that any genre aficinado shouldn't miss out on.

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Gunner – Reality Soldier

This group from Perth, Australia featuring members of Semtex 87 easily outdoes that band's already pretty fuckin' brutal sound in terms of sheer overwhelming force in a maximally hazardous sonic assault obscured by a thick layer of noise, feedback and distortion, grime, oil and dust, though if you listen closely, you'll also find surprising amounts of nuance and intricacy underneath the rough surface, making this thing an unexpectedly rewarding listen, more than just a couple notches above your average noisy hardcore artifact.

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Ismatic Guru – Crocbrain, or, Two Big Steps For Mankind

One of the most esoteric tentacles of the current art punk world strikes again with yet another kickass six minutes of math-y, dub-infused, polyrhythm-obsesed and altogether unapoligetically self-indulgent post punk nuggets that would come across as way up their own arses from any lesser group. These Buffalo, NY folks though, who've constantly improved and fine-tuned their intricate formula over the course of five years and six releases so far, are among the very few exceptional bands able to meet their lofty ambitions with an overflowing abundance of musical substance and rock-solid craftsmanship.

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Excited To Die – Sick Til Death

More excellent hardcore shit from this Dartmouth, Nova Scotia group on what i consider their most appealing release so far, mixing some classic early eighties hardcore attack with lots of garage-y hooks, '77- and KBD-era melodicism. If the likes of Jacket Burner, Buck Biloxi or Bart And The Brats were to record a hardcore punk record, this is just about what i'd imagine it to sound like.

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Dog Lips – 4 Big Ones

Oh hey, right on time to that other dog-themed group, here's new shit from the only band in the world not called The Dogs and while Dog Lips of Portsmouth, New Hampshire may have had some similarity to that group around the time of their first EP in 2022, they've already evolved away from that with their previous Danger Forward LP at the very latest, on which they dabbled in more of a Post Punk sound, though not without some distinct hints and flashbacks towards their garage punk past. Their newest one then feels like a straight continuation of that stuff at first but also keeps morphing and evolving their style of quite catchy post punk that more often than not reminds me of such groups which started out in the past decade like Flat Worms, The Cowboy, early Protomartyr, Plax or Speed Week.

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Excess Blood – Porcelain Doll

Portland death rockers Excess Blood's 2024 self-titled EP on Impotent Fetus was pretty fucking good already and on their recent follow-up, they sorta stick even closer to a pretty oldschool goth/post punk/death rock formula, so much that in the first seconds of Turn To Stone you'd almost think they're about to segue right into a cover Joy Division's Transmission. Usually that kind of thing doesn't sound like the most attractive proposition to me on paper, but i gotta admit even the most traditional sounding records of that ilk aren't all created equal and the devil is in the details really. On this one, all those details add up admirably - the tunes, the vibes, the performance and attitude, it's all perfectly on point here, making for a record that sounds kinda old-fashioned but, unlike so many similar bands, not the least bit dull or stale.

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The Dogs – The Only Band Called The Dogs

After a number of EPs which at first may have come off as all vibes and attitute with rather little in terms of substance, that thing has gradually improved over time and now i'll say the welsh group has just released what may count as their most substantial release so far with their newest EP via Gob Nation, which i'll also admit i like quite a bit more than most of the other only bands called the dogs. This is no more and no less than an all-killer batch of simple but dead-on-target '77-ish, sleazed-up garage punk tunes making you wanna smash some shit.

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Underats – Even Scum Can Dream

Quality hardcore shit courtesy of a Tokyo group which blends some distinctly '90s school of post-thrash-era (not the website, haha…) hardcore riffing with a particularly japanese-sounding melange of NWOBHM-infused garage-, speed- and motörpunk… you could almost say right in time for that new Guitar Wolf record just to remind us in what corner of the world this particular sausage has been made particularly tasty and consistently for many, many years now.

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Ritalin F.M. – Demo

Brilliant garage-/egg-/synth punk fare on this neat debut EP by some Montreal-based dude or group that i completely missed when it was first released as their contribution to Demo Fest 2025. Now here's my second chance and damn, this is some good shit right here! The toy keyboard-meets-hammond-organ sound of the first two tracks brings me right back to some earlier days of (proto-) egg madness and particularly of those Mark Cone records from 2016/'17 respectively, while the next pair of tunes has a bit more of an electronic, industrial yet still absolutely playful feel somewhere inbetween the worlds of, say, Beef and R. Clown, before the closing track, a Violet Femmes cover tune, quite plausibly gives away one of the primary inspirations for this whole mess.

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Neonatals – Dry Brain

In a week not particularly lacking in way-above-average hardcore punk releases, this one takes the cake in my opinion, not that last year's digital single Plastic Disease hadn't warned us of what's been coming though... This is some freewheeling, viciously creative shit reminding me of some of the most far-out acts the past two decades had to offer in the artcore, hard- and weirdcore sectors like Big Bopper, Patti, Rolex, Brandy, Mystic Inane, Beast Fiend, Cutie, Fugitive Bubble, Septic Yanks or Liquid Assets, to name just a few. I need more of that shit fast!