The Stools – Half Track Mind

From the always excellent UK powerhouse Drunken Sailor Records we get another delicious 7" of full of raw and primitive, fuzzed-out and hyperventilating, at times hardcore-propelled garage punk bliss by a Detroit group, easily eclipsing their recent EP on Goodbye Boozy Recs which i liked a lot already.

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DWP – DWP

DWP is the current solo project of Sloane Flashman who has also been playing the guitar in Seattle post punk group Nail Polish. If you're already acquainted with the latter band's no-wave inspired noise, you might already suspect this EP is gonna be a rather bumpy, adventurous ride as well and you'd be totally right. Over the course of eight abstract, droning sketches a soundscape of experimental Art Punk unfolds that appears to draw equal amounts of inspiration from Suicide, Wire and Glenn Branca, among many other things.

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Dark Web – Decoy

Their 2018 Clone Age LP sure had its moments, but this Philadelphia group's second album is just plain spectacular, their songs being so much more fleshed out, their sound having so much more grip to it and the propulsive rhythms carrying an overall vibe bringing to mind The Spits or Mind Spiders. This is some catchy oldschool garage punk perfection right here.

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Germ House – World’s A Chore

Another excellent EP by Rhode Island's Germ House, a solo project of Justin Hubbard who also happens to be playing in Far Corners. These three songs once again sparkle with his familiar stripped-down lo-fi charme and a sonic range that stretches from abrasive post- and art punk - which surely owes a thing or two to The Fall or Desperate Bicycles - to classic garage rock and contemporary garage punk, while also revealing a surprising catchyness, deep melancholy and a playful vibe reminiscent of The Woolen Men.

Pringue – The Age Of Cringe

A fresh batch of fucked up lo-fi DIY garage punk jewels by some barcelona group, reminding me of so much that's good right now in the genre. Like a weird mix of R.M.F.C., Neo Neos, Erik Nervous, Alien Nosejob in hardcore mode… also, there's a striking similarity to fellow barcelonians Prison Affair. Wait, are these the same band?

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S:Bahn – Queen of Diamonds

This Melbourne group has been around before. That was sometime during the 90's and back then, their sound could be described as your typical, slightly emo-fied postcore style of that period with echoes of Chavez, Slint and Polvo. Their first new songs in a quarter-century however are quite far from a nostalgic retread of their earlier tunes. Instead, we get presented an all-new and slick post punk sound clearly belonging into the present day, which doesn't look out of place among acts like say, Sleepies, Gotobeds or Drahla, at the same time sounding rather timeless and mature in all the best ways, at times also evoking a subtle Moving Targets or Volcano Suns vibe.

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Sarcasm – Creeping Life

It's been a few years since i last heard of London group Sarcasm. On their latest and, apparently, last EP their ultra-minimalist post punk with strong hints of Crass and more recent bands like Marbled Eye, Rank/Xerox or Labor still sounds pretty much as if not a minute has gone by since then, which is totally fine with me. Quite possibly, these songs were recorded not long after their 2017 Malarial Bog EP.

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Warm Exit – Warm Exit 7″

Brussels group Warm Exit has a new EP out and just as i suspected that thing fuckin' rules. Four new high voltage garage-/synth punk smashers somewhere in the neighborhood of Powerplant, Ausmuteants or whatever the Warttman empire is up to right now.

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Big Jar of Mayo – Big Jar of Mayo

More quality shit courtesey of Deluxe Bias. This absurdly short cassingle of noise in the realm of KBD-informed weirdcore, garage- and post punk will sure be a delight to folks who've already developed a huge boner for Mystic Inane, Rolex or Fried E/M.

Trigger Cut – Rogo

On their second LP, noise rock/postcore trio Trigger Cut considerably raise the energy level without sacrificing much of the precision work, sophisticated structures and arrangements we've already witnessed on their debut album. Especially in the first half there are some serious Jawbox and Bastro vibes going on. In the past i'd have told you that Ralf Schaarschmidt's current and past bands are among the very best the german noise rock scene has to offer but honestly, at this point, even worldwide there aren't that many groups operating at their level.

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