Charles Moothart – Little Egg
Black Holes Don’t Choke releases March 6th via In The Red Records.
Black Holes Don’t Choke releases March 6th via In The Red Records.

Shady Lady and the Malefactor Schwein on a mission
Spam Pelomuerte
Abscam Megafone
Bart and the Brats Hardest things in the world
Fishfly Mothman
Dick Hick Lock me up
Body World Eyes Of The State
Goblin Soap Goblin Offensive
Piss Wizard Organic Mechanic
Witch Piss Brighton Front
Lackey Drunk Tank
The Idgets The Punkest Song
Dick Hick Scary axe man
Clean Needle Human Condition
Ignorance Echo Chamber
Paprika Supply Chain Wallet
Speed Plans Lifestyle
Voltage Liar
Memory Strings Static
Delta 8 TK’s House
Dream World Inside
.cum Magic 8 Ball
Midgee (Somebody) Shot Me
The Vancooths Past Is Gone
Night Court My Last Acid Trip
Street Sweeper My World At Night
Polyglots A Cleansing Cure
Steröid After Dawn
Meow Meow And The Smackouts Numbers
Gonk One and the Same
Knee Damage
Electric Prawns 2 Portaloo
Online Friends & Misha Hivemind Threshold
Snarling Dogs Televised Violence
Psychbike Living in a Shadow
Zulo Extraña condición
Strangelight Gratitude Practice
Straw Man Army Staring At The Sun

After their phenomenal debut LP in 2020 and a comparatively grim, more difficult to grasp second one in 2022, this New York duo has now delivered what i think is not hyperbolic in the slightest to call their masterpiece. There’s an absolutely singular vision at work here moving within – yet easily transcending – the bounds of contemporary post punk and postcore, the messaging as unapologetically political as it’s emotional and introspective, disillusioned but never bereft of a glimmer of hope… In short, reflecting the emotional toll it takes to walk open-eyed through this era of humankind facing a whole litany of existential crises, feeling systemically ill-equipped for the challenge and thus unable to find a workable, sustainable way forward while large chunks of western societies appear to be in utter denial and global elites all too willing to jeopardize any hope of an endurable future for the sake of short-term wealth accumulation. Bold political statements are a dime a dozen these days though and i doubt anybody would be listening if it weren’t for the absolute fucking brilliance of their music, which takes a thickly layered, intricate and elegant approach in line with what we’ve already heard on their previous records but which they’re working to utter perfection on this one. To me, it feels like the spirit of first-wave so-called emocore – still unburdened by the tropes, cliches and conventions established in later years – transported into the present age with a one-of-a-kind personal voice and very little baggage or preconceptions about what punk rock can mean and do in 2024.
Album-Stream →
The debut full-length cassette of this group from Greater Sudbury, Ontario delivers, at first glance, fairly conventional but also perfectly well constructed and effective post punk smashers with slight anarcho and death rock undercurrents, although the more obvious comparisons here would be such genre powerhouses as Criminal Code, Sievehead, Schedule 1, Sudbury’s very own Kommissars and, more recently, Negative Gears. But then again, there’s an even more uncanny similarity to Vancouver group Dead Cells, who had a pretty fucking great LP out via Erste Theke in 2018 and whose lead singer’s voice also bears a striking resemblence to this… dare i say there even might be an ever-so-slim chance this is the same dude? I’m probably wrong though.
Album-Stream →
So here’s the second cassette by a certain group of witches, once again spreading their bodily juices over any decent, moldy dungeon wall they can find in their hometown of Simi Valley, California. Like anything they’ve done so far, this is a gloriously burning dumpster of fuzzed-out garage punk mayhem spiked with heavy-duty hooks and catchy melodies that shall not be missed by friends of similar worrisome developments á la The Gobs, Slimex, early Exhite, Exit Mould, Geoduck Diodes and 3D & The Holograms.
Album-Stream →Artistes Anciens releases March 7th via Public Tone Records.
Transition releases January 24th via Maple Death Records.

Admittedly, the debut LP of this Pittsburgh, Pennsylvania group is a bit of a cheat, as the first five songs are just their 2023 demo verbatim but then again, it’s kinda nice to have that shit given a proper release at last and the added new tracks are every bit as good! The opening track Nothing Left comes right out of the gate with a distinct proto- and first-wave US punk vibe calling to mind Stooges, Dead Boys and a bit of Gun Club. Televised Violence then almost feels as if Radio Birdman and Saints got fused with Hot Snakes and some of the more eccentric early eighties hardcore acts like Really Red and Saccharine Trust. All the way through, you also can’t deny an oldschool garage-ish vibe right inbetween Pagans and Dead Moon, as well as an equal measure of early west coast hardcore energy, in conjunction with some unfailing songwriting chops being distilled into a strong, explosive cocktail of primal punk rock excellence.
Album-Stream →