The 1981 – Soft Goodbye

Soft Goodbye / Count On Me releases August 19th via Dandy Boy Records.

Acid Casualties – Langley

Flags Are False releases September 5th via Iron Lung Records.

Cel Ray – Raw God

Metho – Metholated Spirit

Tom Lyngcoln, previously probably best known for his old groups Pale Heads and The Nation Blue, really hit upon something special with his 2020 solo LP Raging Head and its larger-than-life dramas combining oldschool postcore with rustic americana elements, condensed down to fit into a super-economic, minimal footprint. So now we get to witness his newest band and kind of a spiritual successor to that one-off project, featuring further familiar faces like the garage punk supreme being that is Jackson Reid Briggs (currently of Split System), Callum Foley of The Blinds, The Stevens (he also played on Raging Head) and old gun Jay Jones, who had also provided the drum recordings Raging Head was built around and who apparently has played in a shit-ton of groups all the way since the mid-’90s that i’m just a bit too young to remember. Most of all it’s still Lyngcoln’s own distinct handwriting that’s front and center here though, with the whole thing playing out like a considerably rougher spin on his solo LP, more spontaneous and immediate, compraratively messy and cluttered in a good way. There’s one other thing i’m reminded of a little here and that’s the bands of Atlanta’s Josh Feigert and particularly his more recent groups like Uniform, Glittering Insects and Mother’s Milk.

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JJ Sizza – New, Old… New Again

Okay… if i’m not mistaken this new Melbourne-based project is one dude who’s also in Dr. Sure’s Unusual Practice and Kitchen People and on his debut LP under the JJ Sizza moniker he creates a garage-/synth punk sound that feels like a perfect middle ground inbetween the olschool Ausmuteants playbook and a more contemporaneous-feeling eggpunk-ish vibe. This shit sticks ‘cos it simply has all the catchy song goodnes on board needed to make that happen. Nothing new under the sun but plenty of intoxicating quality shit goin’ on here nonetheless!

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Class Act – Malaise

After an already thoroughly enjoyable debut EP in 2023, this Kansas City group’s newest LP turns out to be even more up my freakin’ alley with its surprisingly flexible, shapeshifting noise attacks in which some amount of oldschool US west coast style meets hints of early Minutemen and such (proto-) postcore and (proto-) noise rock acts like Flipper, Really Red and Saccharine Trust, whose unconventional styles get mutated here into some kind of KBD-drenched garage punk vibe that may be just as well described using a number of more contemporary references of the Launcher, Mystic Inane, Cutup, Fugitive Bubble, Rolex, Cucuy and Flea Collar type.

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Claimed Choice – Claimed Choice

In recent years, french Oi! has come to stand for an unlikely level of excellence in a genre that i wouldn’t have put much stock in just over a decade ago. Admittedly, the overall parameters of its current incarnation can still feel a bit samey and formulaic but that’s certainly not an attribute i’d pin on this group from Nantes, whose second full length effort starts out kinda oldschool-ish with a somewhat Gun Club-esque garage vibe and another great but kinda genre-standard punk tune before their songs subsequently take on a more independent and unique quality, more thoroughly exploring – and eking just enough variety out of – the (to be fair, not exactly unlimited) possibilities of the contemporary garage-/Oi!-/post punk framework with enough song-based oomph under the hood to never get tedious for a second.

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