Broken Vessels are a group from Santa Ana, California featuring members of Grimly Forming and Rolex (whose incredible debut album/compilation/re-recording thingy i didn’t post here as far as i remember, so give that one a spin if you haven’t yet). Their debut EP sounds a lot like a somewhat dumbed down version of Rolex, while Mystic Inane comes to mind as another valid and wholly flattering comparison.
Highly flammable shit, the debut EP of Stockholm group Wails which unleashes four perfect storms of ass-kickin’ straight-ahead-rockin’ garage punk while also involving some hardcore propulsion, occasional traces of sludge. I’m reminded of garage powerhouses like Ex-Cult, The Cowboy, Jackson Reid Briggs and the Heaters, Flat Worms or, more recently, Archaeas.
Night Miasma are a group from Chemnitz, Germany featuring members of L’appel Du Vide, whith whom you’re probably familiar already if you’re into that kind of thing. Their debut EP doesn’t stray too far from that stylistically, delivering a flavor of dark punk / deathrock-infused post punk that doesn’t add anything new to the genre but gets all the basics right in these four soundly constructed songs.
Their 2019 debut album New Freak was great fun already, but on the belgian group’s newest EP all the moving parts click into each other way more tightly and effective, while their quite slick yet powerful garage punk sound has gained a bit more of a subtle post punk vibe. At various points i’m reminded of groups like (early) Teenanger, Video, Flat Worms, Sauna Youth, Ex-Cult as well as french acts Nightwatchers & Telecult.
Man, it’s been at least half a decade since i last heard of this New Orleans group. However unexpected the release of their new 7″ might come, their blend of garage- & post punk, hard- & postcore certainly sounds as fresh and energetic as ever on this one, fitting in nicely with more recent groups in the vein of Launcher, Liquid Assets or Fried E/M.
With their second longplayer, Portland punks Daydream set off eleven new blasts of carefully controlled chaos, imaginative and unpredictable as ever and with quite a bit of fine-tuning to their very own anything-goes brand of slightly garage-flavored postcore, which might draw comparisons to groups such as Kaleidoscope, Bad Breeding… even a very slight hint of Drive Like Jehu, maybe?
Montreal group New Vogue never sounded better than on their most recent EP, whipping out infectious hooks at a dangerous pace, merging them into shiny little nuggets of garage- and synth punk with echos of Useless Eaters as well as many loosely Warttman-affiliated bands like Satanic Togas, R.M.F.C. or Set-Top Box. Nice!
