Refedex – The Top Of Off

The debut EP by Brisbane’s Refedex is a heavy steamroller of dark noise rock, sludge and post punk that’s often rather slow and atmospheric without ever getting tedious or losing its irresistible groove. Although their overall vibe sounds ultra-classic to me, i’m having trouble pinpointing exactly where i’ve heard this kind of thing before as their sound kinda transcends the usual genre boundaries, among other things incorporating the kind of dark americana blues & country vibes you might expect from an 80’s Scientists record or more recently from US post punk group Bambara, while on the more classic noise rock side of things, you might draw comparisons to contemporary Bands like Alpha Strategy, Luggage, Heads or Tropical Trash. You might also find a bit of Cows, U-men or Scratch Acid in there, each of them spun on half-speed. Whatever you wanna call it, this is first rate shit!

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The Monsters – Frömd vo Mir / I’m A Stranger To Me

Du Hesch Cläss, Ig Bi Träsch releases February 1st via Slovenly Recordings.
Your’re Class I’m Trash releases November 12th via Slovenly Recordings.
I’m A Stranger To Me 7″ is already available via Epitaph… Nah, just kidding. It’s on Slovenly Recordings.

Silicon Heartbeat – Galaxy Invaders

Silicon Heartbeat 7″ releases November 23rd via It’s Trash Records.

Brute Spring – Into Ribbons

The Perilous Transformations of Kid Spit releases November 12th.

Ouzo – Balloons

State Of Affairs / Balloons releases December 10th via Polaks Records & Weather Vane Records.

Sweet Knives – House

Spritzerita releases January 14th via FDH Records.

Metdog – Bins At Barkley Square

Certified Lover Dog releases November 13th via Critter Records.

Cotton Crown – Wretched Lie

Power pop aficinados might already be familiar with Owen Williams as the singer of The Tubs, who stood out earlier this year with their excellent Names 7″. Cotton Crown is the name of his solo recording project whose debut cassingle inhabits much of the same awesomeness but enriches its two oldschool pop tunes with more of a goth and new wave aesthetic adding just the right amount of low-level cheesyness to elevate, rather than water down the material.

Jackson Reid Briggs – Fear​/​Move

I gotta admit i had some trouble warming up to the last few Jackson Reid Briggs releases, whose production seemed just a bit too-much-of-everything for my taste. On this newest EP however, recorded during a breather between Australia’s covid lockdowns with a line-up which, i assume, is different from his usual “Heaters”, is just bursting with fresh energy channeled into four of his strongest jams, presented in a much slimmed down, unexpectedly playful fashion.

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