Following a not so terribly original debut LP in ’22 and two increasingly more promising, if still kinda spotty EPs in ’23-’24, everything seems to naturally fall into place on this Nashville, Tennessee group’s latest LP on which their vision finally locks into razor sharp focus and the stars align just right for its propulsive mid-fi production magic to do its work with everything seeming just a little bit off by the exact right amount for a pronounced KBD-esque feel. Though their sound is still easy to describe as fairly oldschool garage punk with some ’77 and proto punk influences, they actually cover quite a bit of stylistic ground here. The slightly psychedelic undercurrents of the opening track Somebody Help Me give off some strong vibe of Useless Eaters, Pow! and Spits while in the case of Full Time Asshole, i’m gonna add a good deal of Sick Thoughts to the pack as a comparison. Jail Again, already known as the definite highlight of their ’23 EP, has some post punk-ish quality to itself with more than a small hint of Cruelster i’d say. Fight On The Internet has some serious Detroit & NY proto punk energy going on and Spy is probably the most contemporary sounding tune on here with its synth-supported catchy hooks and a sonic cross-section between, say, Mononegatives and recent Strange Attractor. The latter may hold even more true as a comparison for the basic but perfect 60s-ish garage tune that is Grieving. I could continue endlessly but you get the gist: This is a devilishly fun garage punk record of surprising variety that stays perfectly true to its own vision all the same, relatively oldschool, yet you’d be hard-pressed to find a single dull or stale moment on it.
